'2Final Draft, Inc. Final Draft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s we FADE IN, we seem to be floating on a female voice, MOLLYS VOICE, the wind swirling us through a small country town. We drift past: A romantic gazebo at Town Square. A butcher wearing a bloody smock in front of his shop, a glazed ham under one arm. A tree swing, and two children carving their names on the trunk. It could be 1955 or 2005. MollyS VOICE So this is where Ive spent my thirty-one summers, in a sleepy village tucked away in a quiet corner of Pennsylvania, somewhere between Amish country and Hershey Park. The voice carries us over a rickety covered bridge, a wheat field, and past a horse-drawn buggy with an Amish man at the helm. MOLLYs VOICE A few miles to the north, the spiritually devoted are raising barns in the name of Jehovah. And the voice pulls us up through the clouds, and down to a residential street, where several kids are playing stick ball. ANGLE ON One kid with a GIANT CHOCOLATE BAR thats standing on end like a surfboard, almost as tall as he is. Theres chocolate smeared all over his face. He waves a tiny smudged hand. MoLLYs VOICE A few miles to the south, you can actually buy a chocolate bar the size of a Hyundai. The two-door coupe, not the wagon. (a beat) Its a place where people know their neighbors, factory jobs are revered, and high school football still matters. People live here. They die here. They fall in love. And their hearts break. That last one happens every day. And suddenly the VOICE has a FORM, as we DRIFT INSIDE: A MODERN SUPERMARKET Where Molly (31) is at her register, scanning groceries. Her hair is pulled tight in a pony tail, not a wisp out of place. Shes clearly pretty in that unassuming small-town way, and might even be beautiful if she smiled more often. She holds up a carton of milk. MoLLY I think relationships should have expiration dates stamped on them, you know, like on a carton of milk. That way, you could break it off before it turns all chunky and sour and gross. Because thats where 000200000B1B000007E7B15,most relationships are headed. We see that Molly is actually talking to a customer in line, an OLD WOMAN. Old woman I cant drink milk. It makes me gassy. MOLLY Love can be cruel like that, Bernice. (a beat) Dont get me wrong. Having someone love you isnt so terrible. I mean, its better than a kick in the head. The problem is, they usually want you to love them back. And thats when things get complicated. cut TO: ext. city street - night Pouring down rain. Molly standing on the sidewalk - bathed in neon - drenched head to toe. Crying in the rain, screaming at the sky. MOLLY You think this doesnt hurt me? You think I like being this way? Well, I dont. I hate it. I really hate it. We PULL CLOSE and FREEZE on her face, distorted anguish. MOLLYs voice I mean, look at me. I look like a crazy person. (a beat) Maybe I should back up. flash back TO: Ext. mollys House - morning Young Molly and her very pregnant mother on the front porch, watching as a pick-up truck drives away. MollYS VOICE When I was twelve, I watched my dad get in his pick-up and disappear into the morning fog. Said he was going down to the store, that hed be back in a few minutes. But we knew he wasnt coming back. I can still hear the sound of his tires on the gravel driveway. Int. HospiTAL delivery room - day Mollys mother in labor, as Molly holds her hand. MollyS VOICE Maggie was born a few weeks later, and the bastard didnt even bother to call. Turns out he was living in Slidell with a dental hygienist named Beverly. (a beat) According to my therapist, actually my ex-therapist, this is why I have a hard time trusting men. ext. playground - day LEONARD BLITZWIG, an awkward ten year-old with horn-rimmed glasses, extends a heart-shaped box of chocolates to Molly. leonard Blitzwig I love you Molly. Will you be my valentine? While his words are still hanging in the air, young Molly SHRIEKS, and runs away. The chocolates fall to the ground. MollyS VOICE Poor Leonard. I hope I didnt traumatize him too badly. I wonder what hes doing today. Leonard looks at the camera: LEONARD My stage name is Buck Naked. I work in porno. Ext. Street - day A moving truck parked in front of a blue house. People carrying in furniture. Mollys voice That was the summer Jack moved into the old blue house across the street. Young JACK comes up behind Molly, wearing a ridiculous hunting cap with ear flaps. He looks at her snowman. Young jack His nose is crooked. Young mOLLY Excuse me? Young JACK Your snowman. His nose is crooked. Young MOLLY Your nose is crooked. Young JACK Shut-up. Young MOLLY You shut-up. Jack takes off his hat, puts it on the snowmans head. Perfect. YOUNG JACK Im Jack. YOUNG MOLLY Molly Dingle. (pausing) Theres a dead otter down by the creek. Wanna go poke it with a stick? 000200000C3F000012FCC39,Young JACK Okay. Ext. House - front porch - DAY Molly on the porch swing, reading a book called Preparing for the SATs. MolLYS VOICE We werent like the other kids, and thats probably why we were best friends. I was the only 6th grader studying for the SATs... Jack pads up the porch steps. Young jack Wanna go spit on cars from the overpass? Molly looks up from her book. Young molly Stop being so obsequious. Int. GaRAGE - DAy Jack in a suit and tie, sits behind a desk like a late-night talk show host. Next to him, two kids in lawn chairs. moLLYs voice And Jack was busy playing talk-show with the neighborhood kids. The first kid - red haired and freckled - CHUGS SODA from a bottle. His face grimaces, contorts. In a few seconds, the bubbly brown fluid GUSHES out his NOSE. The other kid - nearly cross-eyed - HOLDS A CUP under the first kids NOSE, fills it up with the RECYCLED SODA, and GULPS the whole thing down. MOLLYs VOICE Timmy Steiner could make Dr. Pepper come out his nose, and Frankie Farnsworth would drink anything for a quarter. (a beat) A lethal combination. ext. high school campus - DAY Jack, now a freshman with a bad 80s haircut, saunters up to Molly who has enormous METAL BRACES on her teeth and frizzy permed hair. She speaks with a slight lisp. Teenage Jack Whats shakin bacon? Teenage MoLLY Nada tostada. Jack holds up a concert ticket. Teenage JACK I got an extra Wang Chung ticket. You wanna go tonight? TeenaGE MOLLY Cool. Ext. high school - DAY A high school graduation ceremony. The PRINCIPAL, reads names over the loudspeaker and hands out diplomas. Principal Daly, Jackson. (applause) Dingle, Molly. (applause) Farnsworth, Franklin. Jack - in cap and gown - walks to the podium and collects his diploma. Molly is right behind him. MollyS VOICE By our senior year, we had it all figured out. We were going to college together. The ultimate life-experience. (a beat) We were gonna read all the important books, from Kierkegaard to Kerouac, Nietzsche to Nabakov, and have pretentious late-night coffee house discussions with exotic bohemian-types from far away places like Istanbul, Latvia and Van Nuys. (a beat) And wed spend our summers traveling. Rome, Athens, Prague - and wed drink cheap red wine and write bad poetry until the sun came up. (a beat) You see, college was my ticket out of Pottersville. My ticket to a better life. Int. SuPERMARKET - DAY Mollys mother stacking boxes of toothpaste on a low shelf. MOLLYs VOICE So we enrolled in classes. Got our room assignments. Everything was set. (a beat) Then one hot afternoon near the end of summer, my mom collapsed at work. Right there in personal hygiene. (a beat) At first they said it was exhaustion. Ext. Cemetary - DAY A funeral service. Maggie is now six years old, and Molly holds her hand. Jack and his family watch in silence. MollyS VOICE But nobody ever dies from exhaustion. And in six months, she was gone. Just like that. (a beat) Jack went off to college. I stayed in Pottersville to take care of Maggie. To take care of the house. To take care of everything. 00020000073E00001F35738,Int. elementary school - DAY A stuffy PTA meeting. CAMERA PANS ACROSS painted female faces in Laura Ashley jumpsuits and sweater vests, until it STOPS on Molly. Shes dressed late 80s metal, in a Guns-N-Roses t-shirt, ripped jeans and BIG hair. She snaps her gum. MoLLYS VOICE In a matter of days, I went from keggars to kindergarten, SAT scores to soccer mom. Talk about a mind fuck. Int. Airport - DAY Molly (20) and Maggie (8) greet Jack at his airport gate. He wears a Columbia University sweatshirt. MOLLYS VOICE Jack would come home for holidays and summer vacations. I lived for those visits. He was my connection to the outside world... Int. Columbus, Ohio - tv station Jack the weather man. He taps the large map with his weather pointer, and the ENTIRE BACKDROP COLLAPSES around him. Smoke and dust everywhere, fleeing crew members. MOLLYS VOICE After college, Jack got a job at a small TV station outside of Columbus. Things were bumpy at first, but then a strange thing began to happen... ext. Tv station - DAY A U.S. Mail truck parked outside. Several postal workers carry huge bags of mail into the station. MollYS VOICE Jack started getting thousands of fan letters from teenage girls, a previously untapped demographic for evening news, and a lucrative slice of the advertising pie. Suddenly, every squealing 7th grader was watching the six oclock news and Jack was becoming a local sex symbol. And the Networks were just licking their chops. CUT TO: Int. Wake-up america studio - new york city Jack is now the host of Wake-Up America, a national morning talk-show on a major Network. He sits on a couch next to perky co-host KATH RAMSEY. Behind them, a large window overlooking Times Square, where hundreds of adoring fans gather behind police barricades, holding up WE LOVE YOU JACK signs and banners. 0002000006590000266D653,MollYS VOICE Jack moved to New York to host the Wake-Up America show and the ratings went through the roof. (a beat) Wake-Up America became the number one morning show in the country, and Jack became a star. Int. Mollys living room Molly and Maggie huddle on either side of a telephone receiver, listening. MoLLYS VOICE At first he called a lot, you know, to tell us about his exciting new life. How he drank espresso with Cameron Diaz in the Piazza di Spagna, and spent a weekend in the Hamptons with Keith Richards and Haley Joel Osmond. Ext. Jacks house - pottersville - DAY Jacks parents - Bud and Kitty - standing in their yard next to a REALTY SIGN that says SOLD. MOLLYS VOICE But the phone calls came less and less frequently. And when his parents retired to Boca, there was no reason for Jack to come back to Pottersville. No reason at all. (a beat) That was five years ago. Int. supermarket - DAY Molly flips off the light in her check stand, removes her cash drawer, and meanders her way to the back of the store. Several shoppers say hello as she passes. Friendly chit-chat, and then she disappears behind an EMPLOYEES ONLY door. INSIDE EMPLOYEE BREAK ROOM Molly removes her smock, folds it into a neat little square, and places it inside a small locker. Across from her is SALLY, dressing for her own shift. Shes got spiky hair, and a look best described as New Age trailer park chic. Sally Just tell me. Did he call again? Molly shoots a look. Sally backs off. SaLLY Okay, okay. Sally downshifts. SALLY Are you excited about Thursday? It doesnt register. Molly looks a question. 0002000006E500002CC06DF,SALLY Gary? My brother in-law? Mollys eyes flash. Oh shit. SALLY You forgot. MOLLY I didnt forget. (a beat) Blind dates are the worst. SALLY Come on, you promised. Hes been talking about it for weeks. The store manager - MR. STALIN - approaches the two women. Hes barrel-chested, maybe 40, like he might have been a Marine. He doesnt look happy. Mr. STALIN Sally, we need you out front. Sally gets up to leave. SALLY Call you later, Moll. Mr. Stalin looks over to Molly MR. STALIN You need to clock out. And maybe you could save the slumber party gossip for your own time. Molly (under her breath) Ill clock you out. MR. STALIN Whats that? MOLLY Nothing. Molly slides her time card into the machine - KERCHUNK - and she exits. Ext. Parking lot - DAY Molly loads two bags of groceries into the back of her muddy pick-up. She notices two guys on ladders, hanging a WELCOME HOME JACK banner across Main Street. She climbs into the cab, fires up the big Ford engine, and pulls out of the parking lot. Ext. Mollys house - DAY Molly pulls into her driveway, next to a beat-up El Camino with a bumper sticker that says Gas Grass or Ass, Nobody Rides for Free. Int. Mollys house - day We follow Molly as she carries the groceries through the tidy house to the kitchen, sets them on the counter. RANDY - 30s - on the couch watching TV. Feathered mullet, clean-shaven. Looks like he belongs at a construction site or a Billy Ray Cyrus concert. Or both. ON THE TV The local news. The friendly NEWS ANCHOR addresses the camera: News anchor In other news, convicted killer and real-life Hannibal Lector, Cannibal Keith Coogan, who is serving 227 years for murder, was once again denied parole by the Wyoming State Board. BACK TO LIVING ROOM 0002000005E90000339F5E3,Molly now standing in the kitchen doorway sipping a bottled beer, eyes fixed on the TV. Randy stands up, faces Molly. His t-shirt says FREE MUSTACHE RIDES in large bold print. Randy Get it? Its funny, huh? MOLLY Randy, you dont even have a mustache. RANDY So. Mollys younger sister MAGGIE, now 18, enters with her pierced and tattooed boyfriend COLLIN. collin Cool shirt. RANDY Thanks. Molly looks over to Maggie. Molly Did you pick up your cap and gown? MaGGIE Uh-huh. MOLLY Well lets see! MAGGIE Not now. MOLLY Come on, dont be a fuddy-duddy. Maggie disappears into the bathroom. Molly walks over to an imperceptibly crooked FRAMED PICTURE on the wall, straightens it. ON MAGGIE As she emerges from the bathroom in graduation cap and gown. Shes definitely not thrilled. MAGGIE Happy? Molly You look so... Grown-up. I wish mom could see you. Molly stands, adjusts the cap on Maggies head. MoLLY Hey Maggs, did you hear from the college yet? Youre supposed to get your room assignment this week. Maggie shakes her head no. MOLLY We should call them if we dont hear anything by Friday. MAGGIE (snapping) Could we just talk about this later? She turns and storms out of the room. Collin shrugs in Mollys direction, follows Maggie out of the room. Molly looks over to Randy. MOLLY What was that about? RandY Who knows. (a beat) You hungry? I got some chicken fingers and noodle salad. Puts his arm around Molly, steers her into the kitchen. Int. Television studio - new york city 0002000006BA000039826B4,Jack on the set of Wake-Up America, interviewing an ACTION MOVIE star, who looks a lot like Jean-Claude Van Damme: JACK The movie is called Die Slowly and Screaming and it opens all over the country next Friday. (a beat) Lets check in with Ernie, whos outside Studio 4B in beautiful midtown Manhattan. Whats going on, Ernie? OUTSIDE THE STUDIO ERNIE SNOPES, the portly weather man, stands in front of a metal barricade, separating him from a group of screaming fans. ernie snopes Weve got a special birthday girl today... Miss Verna Helgendorf from Grand Rapids, Michigan. INSERT PHOTO Of a really old woman wearing a huge sombrero. Ernie snopes (V.O.) Verna is 103 years young today. She enjoys needlepoint, soft foods, and Jesus. BACK ON ERNIE Talking to the camera. ERNIE SNOPES Happy birthday Verna, from all of us at Wake-Up America. (motions to the crowd) Now lets check in with the Jack Pack. Ernie turns to a CRAZED WOMAN in the crowd. She holds a sign that says MARRY ME JACK. ERNIE SNOPES Hello there, young lady. Where are you from? Crazed woman Im from Figgit, Arkansas. I love you Jack! The entire CROWD SCREAMS together. Crowd We love you Jack! ernie snopes Love is in the air. Jack and Kath, back to you... BACK IN THE STUDIO Kath talks to the studio camera, flashes her girl-next-door smile. Kath Thats our show for today. George Hamilton will be in for Jack all next week. (a beat) Join us Monday for celebrity chef Emeril Lagasse, thirteen year-old mayor Harlan Crawford, and Martha Stewart will show us how to baby proof your kitchen with style. jack Have a great weekend everyone. The DIRECTOR approaches, wearing a headset. Director And... Were out. Great show everyone! 000200000B6200004036B5C,Kaths demeanor suddenly shifts. Kath Oh fuck off, Steve. A burly stage manager - STAN - plods over to Kath, fumbling to unhook her microphone and battery pack. She swats him away. kath Would you just. Ugh, stop touching me. Even your fingernails are sweaty. (stands, removes her mic) Let me do it, you ape. Stan now unhooks Jacks microphone. Jack reaches into his jacket pocket, produces a small wrapped gift. Stan Whats this? Jack Its for Stanley Jr. Kids got a birthday this week, right? Whats he gonna be, eight? Nine? STAN Nine, on Saturday. JACK Man, thats great. Hes growing up so fast. STAN Too fast. Jack pats Stan on the shoulder. JACK Youre a good man, Stan. Give Sheila my best. STAN Thanks Jack. Have a good vacation. Jack turns to leave. The shows slick PRODUCER cuts him off. Producer Have you seen the overnight numbers? Youre killing. I love this guy. (yelling) I love this guy! Before Jack can respond, the slick Producer has walked away. OFFICE CORRIDOR Jack walking down the hall towards his office. His assistant CARLY follows him, reading from a list of notes. Jack Hey Car, whatcha got? Carly Trebek called again. Wants you to do Celebrity Jeopardy. A guy from GQ called about a photo shoot. And somebody from King of Queens wants you to do a cameo. (looks at her notes) Oh, and a lady from the high school called. Said someone would meet you at the airport. She hands him some papers. CARLY Heres your airline tickets. Hotel reservations under your name. (a beat) Where is Pottersville, any way? JACK About a million miles from here. INSIDE JACKS OFFICE Gorgeous view of mid-town Manhattan. Carly helps Jack remove his jacket, lays it across the leather couch. CARLY Dont forget the party tonight. (hands him the invitation) The Elixir Lounge, eight oclock. JACK (loosens his tie) Do I have to go? CARLY Yes. Its a Network thing. All the brass will be there. Jack walks around to his desk, picks up a FRAMED PHOTO OF MOLLY taken a few years back. He looks down at it, the smallest hint of sadness in his eyes. JACK All right. What are you doing tonight? CARLY Donald is taking me out to dinner. And theres a Fellini movie at the Angelika. Jack smiles. Must be nice. Ext. wake-up america studio - new YORK CITY Jack exits the building. Several women all converge on him, asking for autographs. He signs every one, with a smile. A black town car is waiting. The driver - KUMAR - opens the door for Jack. Jack smiles and climbs inside. Int. trendy night club - later A swanky TV Network party. People schmooze, champagne flows. Several recognizable TV personalities mingle in the background. Jack is cornered by TODD, a guy with a fake-n-bake tan, perfect hair and manicured sideburns. Jack feigns interest, nods his head at all the right moments, but is really looking BEHIND Todd at a GORGEOUS WOMAN at the bar. 0002000009FA00004B929F4,Jack So youre an actor? TODD (nods) I did a Will and Grace. And a Caroline in the City. Small parts, you know. My big break was an Immodium AD commercial. Jack Oh yeah? TODD Im sure youve seen it. The one where the guys got diarrhea and hes riding a donkey down the Grand Canyon. Jack You were the donkey man? Todd nods, proud. Jack That was amazing. I really thought you had diarrhea. TODD Yeah, its some of my best work. Ernie Snopes, the weather man from Wake-Up America approaches. He looks at Todd. ernie SNOPES You mind if I steal him away? Before Todd can answer, Ernie steers Jack away. ernie SNOPES Jack-o, there is some Grade A tail here tonight. Prime cut. Jack again eyes the GORGEOUS WOMAN at the bar. Ernie notices. ernie SNOPES You like that? Shes a Victorias Secret model. Panties and shit. Used to date Charlie Sheen. (a beat) Id give my left nut for a taste of that. JACK Could you excuse me for a second? Jack turns, walks towards the mens restroom. INSIDE THE RESTROOM Jack at the sink, splashes water on his face. Behind him, the door swings open, and the gorgeous woman from the bar - TRISH - enters the restroom. He sees her in the mirror standing behind him. Jack - surprised - turns to face her. She steps close to him, then GRABS him ROUGH and plants a LONG, SLOW KISS on his lips. Trish Miss me? Jack Not really. TRISH Liar. I could feel you watching me out there. JACK Every guy in Manhattan is watching you. Some of the women too. TRISH Yeah, but theyre only looking at my ass. Youre different. You look at the whole me. Someone BANGS on the bathroom door. Trish whips her head around. Trish (loud through the door) Give me a Goddamn second! JACK You wanna get out of here? TRISH Yeah, this partys a stiff. More BANGING on the door. Jack turns to leave, Trish grabs him by the arm. TrISH Wait. Theres a photographer here from Vanity Fair. Cant let him see us leaving together. (a beat) You go first and get us a cab. Ill be five minutes behind you. She gives him a quick kiss on the lips. TRISH See you downstairs. She UNLOCKS the bathroom door, brushes past the guy who was outside knocking. Flashes her dazzling smile. Ext. waterfront - later A beautiful night. Jack and Trish walking along the riverfront, the magnificent New York City skyline behind them. JaCK I hate sneaking around. I dont understand why we cant date like normal people. Trish I told you. My publicist doesnt think this is the right time for me to announce a relationship. 000200000D9D00005586D97,(a beat) When pilot season is over, well send out a joint press release. Then the whole world will know. (kisses him) Promise. She stops, takes in the magnificent view of the city. Trish God, Im so bored in this city. JaCK Bored? This is New York City. She brushes this off, turns to him excited. TRISH Lets do something crazy. JACK Like what? TRISH I dont know. Lets go to a strip club and get a lap dance. Lets swim naked in the East River. (turns to Jack) I know - Lets drop acid and fuck in Central Park. He stops and looks at her for a moment. JACK I was thinking we could get Chinese food and go to a movie. You know, like regular people. TRISH But were not regular people. No were not. Jack turns his back to the City. JACK Lets just go home. Ive got an early flight tomorrow. Cut TO: Int. MollyS HOUSE - night Mollys Friday night ritual. Its not late, but shes already in her jammies - sweat pants and a Pittsburgh Steelers jersey. She meanders into the kitchen, takes a tub of ice cream from the freezer, grabs a large soup spoon from the drawer, and heads back to the couch. She picks up the remote control, ZAPS on the TV. Clicks past Baywatch. A sitcom with a talking puppet. Antique Roadshow. And stops on an infomercial for the Red Devil grill. Man, thats a cool grill. Even makes waffles. Molly watches for a few seconds, then keeps clicking until she stops on WALKER TEXAS RANGER. Perfect. She sets the remote on the table, gets comfy, and takes big bite of ice cream. CuT TO: Int. Jacks apartment - lATER Jack on the bed, scribbling onto a note pad. Wadded-up balls of paper all around him. He rips off another page, crumbles it, and tosses it onto the pile. Trish enters the bedroom, sees the mess. Trish Hows the speech coming? JACK Terrible. Everything I write sounds like an After School Special. TRISH Youll be fine. Trish disappears into the bathroom. Jack talks loud so she can hear him: Jack What advice would you give to a bunch of graduating high school kids? A brief pause, and she pops her head out of the bathroom, her hair now in pigtails. TRISH Smoke a lot of cigarettes. Stay thin at all costs. (a beat) And dont fuck anybody who cant help your career. Jacks horrified reaction. TRISH Im kidding. What do you think I am, a monster? Trish emerges from the bathroom in a LONG ROBE. TRISH If you want to know what to say to these kids, you need to know what theyre thinking. You need to get in touch with your adolescent mentality. JACK How do I do that? TRISH Maybe this will help. She opens the robe, revealing a NAUGHTY SCHOOLGIRL outfit, taking a page from Britney Spears. Very sexy. Jack Oops, you did it again. Trish smiles and crawls onto the bed... Int. jacks apartment - next morning Remnants of the schoolgirl outfit scattered across the bedroom. Jack packs for his trip. He closes his suitcase, grabs his jacket. Trish drinks orange juice from a champagne glass. Trish Sure you dont want me to go with you? I could wear my Wranglers and Prada chaps. Jack Its okay. Go to your thing in Milan. Ill be fine. TRISH Thats a relief. I was afraid youd have me out there cow-tipping with the yokels. Jack leans in, gives her a quick kiss. JACK Call you when I get back. Int. town car - DAY Jack in the back seat. His driver KUMAR speaks with an unidentifiable accent: Kumar You are going to see a woman, no? JaCK Im giving a speech at my old high school. Why? 0002000007710000631D76B,KUMAR Because youre wearing after shave. You never wear after shave. Jack looks out the window. JACK Theres an old friend. A woman. But I havent seen her in a long time. Kumar Ahh. Jack She wont return my calls. Probably wont see me when I get there. Any advice? Kumar turns around to face Jack. KUMAR If she has small breasts, tell her youre an ass man. Ext. Food barn supermarket - DAY Molly on her break. She sits on a bench in front of the store reading a book called Kierkegaard and Existentialism. A young African American child sells candy bars from a cardboard carry box. He approaches several people as they enter the store, gets rebuffed by each. Dejected, the child sits on the bench next to Molly. She lowers her book. Molly Whatcha got there? Kid Candy bars. If I sell ten boxes, I win a trip to Disney World. MOLLY Cool. How many have you sold? KID Hardly any. MOLLY You should try outside the Cineplex. People always like candy at the movies. KID Thats a good idea. (standing) Do you want to buy one? MOLLY Well, Im not really hungry... The kids face sinks. Molly reaches into her pocket, produces a ten dollar bill. MOLLY So I better just get three. The kid smiles, hands her the chocolate bars. Ext. airPORT - DAY A commercial jet landing. Int. Airport - DAY Jack strolling down the jetway, carries a suitcase and an old BOX under his arm. An awkward teen, KEVIN, holds a cardboard sign that says JACK DALY. Kevin Mr. Daly, Im Kevin Chalmas, President of the William Taft High AV Club. Its an honor to meet you. Jack smiles. He likes this kid already. Jack Its just Jack. You can call me Jack. KEVIN (reaching for the bag) Let me get your bag, Mr. -- Jack. Kevin struggles with Jacks heavy bag. AIRPORT PARKING LOT Jack and Kevin approach a late-model car. JaCK Sweet ride. That a Taurus? kevin (nodding) My dads. Pretty shameful. JACK 0002000008C800006A888C2,My dad had a Taurus too. Kevin smiles. Int. kevins Car - day Kevin and Jack in the car, as they drive into downtown Pottersville. KEVIN I mean, in the AV club, were all basically geeks. And we know it. Were gamers and trekkies and tech heads. And you were too. Heck, you started the AV club. Youre our inspiration. They pass under a WELCOME HOME JACK banner strung across Main Street. Jack cranes his neck to see it: Jack Is that for me? kevin (nods) We dont get many celebrities around here. (a beat) I heard you dated Jennifer Love-Hewitt. Is that true? Jack Whered you hear that? KEVIN Chat room. JACK Well, its not true. I met her at a party once. She was really nice. But thats it. KEVIN Howd she look? JACK Super hot. Are you kidding me? Kevin smiles. Int. Hotel room - DAY Kevin sets the suitcase on the bed, hands Jack the room key. KEVIN If theres anything you need while youre here, anything at all, I can get it for you. Except I cant buy liquor. But I know a senior with a fake ID who can score. JaCK Okay. Kevin extends a slip of paper. KEVIN Heres my number. Call any time of day or night. (a beat) I share a line with my sister, so she might answer the phone. Just ask for me. Kevin. JACK No problem. Thanks, Kevin. (a beat) Actually, you mind giving me lift somewhere? Int. Food barn SUPERMARKET - day Molly in the produce department. Wearing gloves, neatly stacking tomatoes. Jack approaches from behind. Jack Whats shakin bacon? Molly Nada tos... She starts to respond instinctively, then catches herself. Turns to see Jack. She smiles -- Then catches herself again. Molly What do you want? JACK I... I dont want anything. I just wanted to say hello. Molly doesnt answer. Just keeps stacking tomatoes. JACK I tried to call you. To tell you I was coming to town. Still no answer. Jack Hows Maggie? You must be so proud of her. I cant believe shes... Molly cuts him off. Molly Look, Im working here. JACK Okay. I just thought. Maybe we could get together. Im here all week. MOLLY Im busy. Jack Cmon, Moll. I know its been a while, but... MoLLY You can drop the wounded friend routine, Jack. We havent really been friends in years. Not really. 000200000F160000734AF10,(a beat) Now, I have to get back to work. Dejected, Jack turns to leave. Ext. Food barn SUPERMARKET - parking lot Jack climbs into the passenger side of Kevins Taurus. Kevin Howd it go? Jack On a scale of one to ten, Id say about a three. KEVIN Wait a second. Is one the highest or is ten the highest? JACK Ten is the highest. KEVIN Then a three isnt very good. JACK No it isnt. Ext. Hotel - afternoon Mollys mud-splattered pick-up truck screeches to a stop in front of the hotel. Int. Hotel hallway Molly marches down the hallway, stops at Jacks door. She POUNDS HARD with her fist. And POUNDS again. A couple of seconds later, Jack OPENS the door. Jack Hi, Mol... Molly pushes her way into the room. INSIDE THE ROOM MoLLY Youve got some nerve, Jack. You dont call for five years, and then you just show up and expect everything to be fine? I mean, who do you think you are? WIDER - Jack motions to Kevin, sitting on the bed playing SEGA on the television. Jack Molly, do you know Kevin Chalmas? Molly looks over, sees Kevin sitting with a game controller in his hand. Shes slightly embarrassed. MOLLY Oh, hi. Sorry. I didnt realize. (a beat) I know Kevin. We had a bake sale to raise money for the AV club. (to Kevin) Hi. Kevin Your cupcakes kicked ass. Got us a sweet mixing board. MOLLY Thanks. Jack faces Molly. Jack Ive got an idea. You can yell at me here in the room, or I could buy you a cup of coffee and you could humiliate me in public, which might actually be more gratifying. Molly smiles, for the first time in a long time. Ext. sidewalk - later Jack and Molly walking together, sipping coffee from paper cups. Molly Im sorry I blew up at you. Its just, when I saw you... Jack Its okay. I should be the one apologizing. Molly slugs him playfully in the arm. MOLLY So why did you stop calling? I mean, we were friends, werent we? Jack Of course we were. But when I got Wake-Up America, my life changed over night. I didnt know how to handle it. (a beat) Imagine if every dream you ever had suddenly came true, and everything you ever wanted was suddenly handed to you in a big golden basket. (a beat) Its completely overwhelming, on every level - mentally, physically, even spiritually. Every expectation I had about the world was turned upside down, and my whole sense of reality was altered. Molly So its like The Matrix? JACK Just like The Matrix. Minus the alien feeding tube. Molly smiles again. They round the corner, past the butcher shop. The butcher waves a bloody cleaver, Molly waves back. JACK (looking around) Things seem pretty much the same since I was here last. MOLLY Yeah, not much has changed. Although You did miss some excitement last spring. (a beat) Olaf Gundersen went on a three-day whiskey binge, drove his Rambler through the middle of the Dinky Donut shop and out the other side. (snorts to herself) Shouldve seen it - an old man in a jacked-up muscle car, covered in raspberry glaze, speeding out of town. They caught him down the road in Logans Mill, dragged his ass back for arraignment. Poor guy just wanted to get out. Jack looks over to Molly, his gaze narrows. Jack What about you -- Are you going to get out of this place? With Maggie almost out of school, you can do whatever you want. The whole world is wide open. MOLLY Oh, I dont know. Ive got seven years at the store, and the money is okay. Two weeks paid vacation. Medical and dental, 401K. I think Im a career grocer. They stop in front of Jacks hotel. Molly Here we are. JaCK Here we are. (a beat) Look, could we get together for dinner? Would that even be possible? Molly takes her time answering, like she really has to think about it. She doesnt. MOLLY All right. Dinner. Why dont you come by the house tomorrow night. I know Maggie would love to see you. 0002000006F90000825A6F3,JACK Thats great. Jack turns, enters the hotel. Molly smiles and continues walking. Int. supermarket - DAY Molly at the check stand, chatting with Sally in the next stand over. Sally Well fuck me to tears and slap me for crying. You went on a date with him? Molly It wasnt a date. We just got coffee. Sally Coffee is never just coffee. Coffee is sex. Molly It is? SaLLY (nodding) You should let me do your charts. MOLLY You know I dont believe in that stuff. Mr. Stalin approaches. He doesnt look happy. Mr. stalin Hi Molly. Do you have a second? Molly For you Jim, Ive got three seconds. MR. STALIN Ahh, its Mr. Stalin in the workplace, if you dont mind. MOLLY Right. Sorry. Mr. Stalin. INSIDE MR. STALINS OFFICE He looks at Molly, then down at her feet, and back up disapprovingly. Mr. stalin What color are your socks? Molly Does it matter? Im behind a counter all day long and no one can see my feet. Mr. Stalin just stares at her, waiting for an answer. Molly Theyre brown. Dark chocolate brown. Mr. Stalin produces an EMPLOYEE HANDBOOK from his desk drawer, flips to an ear-marked page. MR. STALIN According to uniform guidelines as stated in section 13-A of the official Employee Handbook, all employee socks must be black. Not brown. Not chocolate. Not fudgie cake. (a beat for emphasis) Black. Like the night. MOLLY (under her breath) Like your soul. MR. STALIN What was that? MOLLY Nothing. Ill change my socks. Molly turns to exit. Mr. Stalin gets in one more jab: MR. STALIN You realize I have to document this incident. What a prick. Molly bites her lip, turns and exits. Int. MOLLYS HOUSE - night Molly opens the front door. Maggie gives Jack a big hug. He stands back, looks her up and down like a proud older brother. 0002000006320000894D62C,Jack Last time I saw you, you were just a little french fry. Now look at you... Almost a college girl. MAGGIE You look good, Jack. Even better than on TV. Jack Thanks. And congratulations. Ohio State is a terrific school. MAGGIE Yeah. Well. JACK Although Im not sure what a Buckeye is. Do you know? Maggie shakes her head, smiling. MAGGIE I think its a big dog. Or some kind of a deer. Randy enters from the bathroom. Hes not wearing a shirt, pants unbuttoned. He looks over to Molly. Randy You seen the plunger? I clogged up the shitter again. Randy looks around, sees Jack. MollY Jack, this is Randy. Our roommate. Jack goes to shake his hand, but Randy instead GRABS and HUGS him. RANDY Hey man, Im in showbiz too! Jack Really? What do you do? RANDY Im a costumed greeter at Hershey Park. I work the Beer Garden and the Chocoholics Anonymous meetings. Jack Nice gig. RanDY Its pretty sweet. (a beat) Howd you get on TV any way? You go to school for that? JACK I got a degree in broadcast communications, but the diploma doesnt mean much. Its all timing and luck. Randy I hear ya. I got a double AA over at the community college and it aint done squat for my career. Jack Whatd you major in? RANDY Origami and gun repair. Molly interrupts. Molly Shall we? Goodbyes all around. Molly and Jack exit. Int. diner - night Molly and Jack in a small booth at a local greasy spoon. Theyre eating enormous burgers and milkshakes. Molly Its funny. When youre a kid, you have all these ideas about how you think your life is going to turn out. 00020000098E00008F79988,Molly swirls a french fry in some ketchup. Jack Your life isnt so bad. Molly Youre right, its not bad. Its just... odd. Im thirty-one, and Ive got a maniacal boss, a moody eighteen year-old, and a pornography addict living in my garage. (a beat) At least youve got some semblance of a normal life. Jack You think my life is normal? My apartment costs twenty-four thousand dollars a month. A month. And my neighbors are Starr Jones and Henry Kissinger. Then I go to work, and thats where things get weird. Jacks a chug of his shake, wipes his milk mustache. JACK Last week I interviewed Yasser Arafat and Puff Daddy in the same half-hour segment, and then I made boysenberry scones with Martha Stewart. After the show, we all ate scones together. Me, Martha, Puff Daddy and Arafat. (a beat) How normal is that? Molly shrugs. Molly Arafat likes scones? JACK Loves them. The WAITRESS approaches with a pot of coffee. WaitrESS Can I warm that up for you? Jack Sure. Molly Thanks. The waitress pours coffee, then turns to Jack, a little shy. Waitress I hate to bother you, but could I trouble you for an autograph? We watch your show every morning. JacK Its no trouble at all. The waitress hands Jack her order pad and a pen. Jack eyes the waitresss NAME TAG, then scribbles on the pad and hands it back. WAITRESS Thanks. Thanks so much. JACK Thank you, Connie. The waitress turns and leaves. Molly looks at Jack. Molly Thats so weird. JACK What? MOLLY People asking for your autograph. I mean, its you. Youre the kid who wet his bed at Science Fiction Camp. JACK I didnt wet my bed. I had extreme night sweats. MOLLY Night sweats that smelled like urine. Jack At least I didnt faint in the middle of Dirty Dancing because of Patrick Swayzes overpowering hunkiness. MOLLY Hey, I was sick that day. I had a fever. JACK A fever in your pants. Molly glares playfully at Jack. He takes a bite of his burger. Molly picks at her plate. MOLLY So really, whats it like? JACK Its good, just like I remember. Juicy. Lots of meat. MOLLY Not the burger, you geek. Being famous. Youre like, a step away from being a movie star. Or a game show host. (a beat) Whats it like? Jack Its terrible. Everyone either acts like they love you because they want something from you, or they resent you for being successful. You dont know who your real friends are, and you have no privacy. Its a nightmare. 00020000064C00009901646,MOLLY Really? JACK No, not really. Im the luckiest guy in the world. She noodles around her plate, not looking up. MOLLY Must be great for meeting chicks. JACK Its incredible. Beautiful women approach me all the time with these outrageous propositions. Women who wouldnt give me the time of day if I had any other job. MOLLY So these women will have sex with you not because youre funny or handsome or smart or even because they like you, but because youre on a TV show? JACK Basically. MOLLY And I thought my life was pathetic. (a beat) At least the guys trying to get me in the sack actually like something about me. Maybe its only my tits or my ass, but at least its me. JACK Yeah, thats not pathetic at all. MOLLY Shut-up. JACK You shut-up. Ext. Downtown pottersville - later Molly and Jack walking past various shop windows directly towards us, getting closer as they talk. JaCK I heard you were dating Nate Clemmons a while back. Molly Yeah. Hes a nice guy and all, but... JACK But what? MOLLY The man is a bean farmer. A farmer of beans. JACK What kind of beans? Molly Garbanzo, mostly. Biggest producer in the tri-state area. They call him the garbanzo king. Jack nods. JACK So if you got married, youd be the garbanzo queen? Molly Yeah. (a beat) How about you? JACK Ive been seeing someone. For about a year now. Trish. MOLLY Really? JACK Yes. Is that surprising? MOLLY Its just. You never mention her on the show. And you didnt bring a date to the Emmys. And Cosmo called you Americas Most Eligible Bachelor. What is it, like a big secret or something? 0002000005F500009F475EF,JACK Its complicated. MOLLY I guess. They continue walking. Jack So you watch the show? MOLLY No. Sometimes. (a beat) You can stop smiling now. Molly and Jack continue walking past us, and out of sight. ext. William taft high school - afternoon The school day in full swing. Yellow buses parked out front. Students milling about. A sign says CLASS OF 2002. Various tables set-up, with placards like Sober Graduation and Grad Night Sign-Up. Int. Principals office Jack shaking hands with the now grey-haired PRINCIPAL TEITELBAUM. Jack carries his BOX under one arm. PRINCIPAL I trust your accommodations are satisfactory? JACK The room is great. And Kevin has been a big help. (a beat) Actually, Im on my way to see him now. PRINCIPAL All right. Well see you on Saturday. Jack turns and exits. Ext. High school campus Jack meanders his way through the campus, carrying the box under his arm. Various students greet him along the way: Student #1 Sup, Holmes? Student #2 Hey famous dude! STUDENT #3 Yo Regis! Your show is kickin! ANGLE ON Jack walking past a long row of lockers, around a corner to an OPEN DOOR. A sign outside the door reads AUDIO/VISUAL LAB. Jack enters the AUDIO/VIDEO LAB. INSIDE THE AUDIO/VIDEO LAB High tech computer equipment everywhere. A sweet mixing board. Video cameras. Movie projectors. Editing bays. A Buffy the Vampire Slayer poster on one wall, an X-Files poster on another wall. A geek paradise. Kevin sits in one corner, staring at a computer monitor. 0002000009320000A53692C,Kevin Hey Jack. What are you doing here? Jack takes the lid off THE BOX, removes several spools of SUPER 8 FILM. JACK I was wondering if you could help me out with something... Ext. MollyS HOUSE - day Molly at the mailbox flipping through a stack of letters. She stops at one, excitedly rips it open. She scans it with her eyes, then scampers up the steps to the house. INSIDE THE HOUSE Molly enters, closes the front door behind her. Maggie lays on the couch watching MTV. MOLLY Maggs? You got a letter from the University. They said they never got your housing payment. I gave you that check weeks ago. MagGIE I didnt mail it. MOLLY Did you forget? (looks at the letter) Thats okay, we can still make the deadline. MAGGIE Dont bother. Im not going. MOLLY Youre what? Maggie sits up, looks at Molly. MAGGIE Im. Not. Going. MOLLY What do you mean youre not going. This is what you wanted. MAGGIE This is what you wanted. Its what youve always wanted. A lengthy pause. Mollys eyes on Maggie. Reading her. Like a book. MOLLY This is about him, isnt it? She doesnt answer. Molly pushes. MOLLY Isnt it? MAGGIE He loves me. And I love him. (a beat) You wouldnt understand. Maggie turns and tries to walk away. Molly grabs her arm. Molly You dont understand. Love isnt real. Its an illusion. Its like a rainbow -- Its there for a few minutes, and its beautiful. Then you blink, just for a second, and its gone. (a beat) And then youre just standing there by yourself in the rain. Maggie I hope I never become like you. Maggie turns and exits, slamming the front door behind her. Molly Ah Hell. Int. Jacks Hotel ROOM - later Jack working on his speech, balls of wadded paper strewn around the room. Molly paces, oozing manic energy. She stops, straightens a crooked picture, then continues her rant. MoLLY Maggies not going. Jack Going where? MOLLY College. She says shes not going. Jack Why not? MOLLY Shes in love. With a local boy. A damn carpenter. JACK Thats not so bad. Im pretty sure Jesus was a carpenter. Molly stops, faces Jack, hands on her hips. MOLLY Not so bad? How can you even say that? JACK I dont know. Is she happy? MOLLY What does that have to do with it? Shes just a kid. Her whole life is in front of her. (a beat) I just want her to have the best of everything. 0002000007630000AE6275D,Jack puts his arm around Molly, steers her to the bed. JACK Why dont you sit down and relax for a minute. Molly sits on the edge of the bed. Jack goes to the fridge in his MINIBAR, opens the door and looks inside. Jack You want a drink? A Snickers? An eight dollar bottle of water? Molly M & Ms. Plain. Jack hands her a small bag of candy, sits next to her on the bed. Molly chomps on M & Ms. Molly Shes just going to throw it all away. Jack grabs a bottled water and takes a deep chug. JACK You said he does carpentry work. Is he any good? MOLLY Sure. Hes worked on some houses in town. And he did a nice job on our deck. (a beat) Why? Jack Ohio State is in Columbus. Molly nods. JACK What if I could get Collin a job there. At the TV station. Theyre always looking for stage hands. (a beat) Then Maggie could go to school, hed be just across town, and you wouldnt have a heart attack. Everybody wins. Molly You could do that? JACK The station manager owes me a favor. Let me see what I can do. Int. SUPERMARKET - employee break room - day Molly sits across from Sally. A large ASTRAL CHART spread out before them. She tucks a few stray hairs behind her ear. SaLLY Oh. Oh my. This is very interesting. Molly What? Whats it say? sally You both have Virgo rising, and you share five of the same planetary houses, in a near-identical configuration. MOLLY English, Sal. Whats it say in English? sally Your compatibility is off the scale and the sex should be hotter than Kentucky asphalt in July. MOLLY Are you sure? Sally nods, points to the chart. sally Its written in the stars. And stars dont lie. Molly reaches out, touches the planetary chart. Behind them, Mr. Stalin approaches: Mr. stalin I dont want your black magic voodoo in the employee lounge. (motions to the table) Now get this crap out of here. Mr. Stalin turns and leaves. 0002000006690000B5BF663,Int. MOLLYS HOUSE - night Maggie and Collin enter the house. Molly and Jack are seated at the kitchen table. There is a large plate of cupcakes. Maggie Whats going on. Did somebody die? Molly Just listen. MAGGIE If this is about school... MOLLY Please. Just listen. Jack I talked to a buddy of mine at a TV station in Columbus, and he said he could get Collin hired as a stage hand and even pull some strings to get him in the union. Its good money. Steady work. Theres a real future in it. MoLLY And its right across town from the University. Maggie looks at Jack. Maggie Really? Its a good job? Jack nods. Maggie turns to Collin, her eyes wide. Maggie Thats great! Isnt that great? I can go to school, and you can work nearby. Its perfect! Maggie turns and hugs Jack. Maggie Thank you, Jack. Everyone is smiling -- Except Collin. Collin But baby, I thought we were gonna stay here. We already talked about it. MAGGIE I know, but this sounds like a really good opportunity. For both of us. If you get in the union, youre set. Were set. COLLIN I dont know. Can we talk about this later? Maggies demeanor does a 180. MAGGIE No, were going to talk about this right now. COLLIN Well, I dont know if I want to go to Columbus, okay? Why dont we just stay here, like we planned. (looks into her eyes) You know I love you baby. He moves close to her, puts his arms around her just like hes done a hundred times, each time causing her to melt. But not this time. MAGGIE Wait a second, Col. I was willing to stay in this town for you, so we could be together. But you wont go to Columbus for me? 000200000B560000BC22B50,COLLIN Come on baby... MAGGIE Dont come on baby me. (temperature rising) You can fuck right off. Collin looks at her for a second, then turns and storms out of the house, SLAMMING the door behind him. Molly and Jack are speechless. Maggie turns to Molly. Maggie Are you happy now? Maggie turns and storms out of the kitchen. RANDY enters - fresh from work - dressed in his silly oversized HERSHEYS KISS COSTUME, complete with the POINTY SILVER HAT. Randy What. Did somebody die? Int. hallway - outside Maggies bedroom - later Molly taps lightly on Maggies door. And again. She hears a faint voice from the other side. INSIDE MAGGIES ROOM Molly enters the dark room, sees Maggie laying on the bed. Molly sits on the bed next to her. MoLLY You okay? Maggie Im sorry for yelling at you. I appreciate you guys trying to get Collin a job and all. (pauses) Its just, I really love him. And Ive never felt this way before. MolLY I know. MAGGIE God, hes such a jerk. Molly runs her hand reassuringly through her sisters hair. int. MOllys bedroom - night Jack sits on the bed, eating ice cream. Molly models clothes, as she gets ready for a date. JACK No one goes on blind dates any more. You know why? Because the world is filled with psychos. MOLLY Its too late. I cant cancel. JACK You dont know anything about this guy. He could be a serial killer, for all you know. A criminal. Or a tobacco chewer. He probably carries around one of those spit cups. MOLLY He doesnt carry a spit cup. (a beat) I have to go. I promised Sally. Molly turns to Jack, modeling her outfit. He looks at her shirt, squinting. His nose wrinkles. JACK Somethings not right. Try the blue shirt. Molly steps into the bathroom, takes off her shirt, buttons up the blue one. Turns back to Jack. JACK Okay. Now what about the shoes? Molly disappears into the bathroom. Jack takes a bite of ice cream. She enters from the bathroom, dressed, hair slicked, looking beautiful. It shows on Jacks face. JACK (lowering the ice cream) Wow. You look good, Moll. Really good. MOLLY Yeah? JACK Yeah. int. jacks hotel room - later Jack and Kevin playing SEGA on the TV. A half-eaten pizza. Jack drinks a beer. Jack You have a girlfriend, Kevin? Kevin No, but I felt-up Nancy Snodgrass behind a dumpster at Wacky Waterworks. Jack Was she pretty? KEVIN She was okay. Nice tits for a sophomore. A KNOCK on the door. Jack gets up to answer it. Molly enters, flustered. JACK What happened to your date? MOLLY Im never dating again. (to Kevin) Hey Kevin. Kevin looks up from his game. Kevin Hey. JACK So what happened? Molly obviously wound-up. Shes pacing as she talks. MOLLY I meet him at this bar for drinks. Theres talking, theres laughing, everything is fine. (a beat) Then he asks if I want to see where he works. Jack listens intently, slightly amused. 0002000006780000C772672,MOLLY Sally said he worked for the D.A.s office. So Im thinking, cool. Hes gonna take me down to City Hall, give me the VIP tour. JACK So whats the problem? MOLLY Were in the car, driving across town, and I say, You must get some really interesting cases working for the D.A. He just looks at me like Im crazy, and says: cut TO: INSIDE THE CAR George - burly - looks at the camera: GEORGE I dont work for the D.A., I work for the for the USDA. I grade meat. back TO: MOLLY IN JACKS ROOM Hands on her hips. MOLLY The guy inspects meat for a living. JACK Youre shitting me. MOLLY I shit you not. (a beat) He took me to a slaughterhouse. Grabs my ass next to a hoof and snout bin, like all that carnage is supposed to get me hot. Molly takes a deep breath, looks over to Jack. Molly Look, I hate to end the night on a bad date. You want to get a drink or something? int. Dive bar - later Pool tables. Smoky. A jukebox cranking classic rock. Foreigner. Boston. Freebird. Awesome. Molly and Jack at a small table in the back. Several empty beers, a bottle of whiskey and two shot glasses in front of them. Theyre buzzing good. Molly Youre a big star. So tell me... (whispers) ... have you slept with anybody famous? Jack Besides Tony Danza? Molly smiles. Wow, its a great smile. MOLLY Seriously... Have you? JACK Oh sure. But I dont recommend it. Mollys gaze sharpens. Why the Hell not? JACK Celebrities think they have to put on a show in the bedroom. Especially actors. Theyre the worst. Its like theyre nailing a monologue or something. Half the time I feel like I should applaud afterwords. 000200000AE30000CDE4ADD,(a beat) Sure, its fun for a while, but its kind of -- I dont know -- hollow. Hmmm. Molly picks at the label on her beer bottle. MOLLY I slept with a celebrity once, more or less. JACK You more or less slept with him? MOLLY He was more or less a celebrity. (a beat) The five-time Quaker State Tractor Racing champion, actually. Best in Central Penn. JACK They race tractors? MOLLY Oh sure. If you can ride it, you can race it. Molly pours herself another shot, shoots it like a pro. Ext. Gazebo - town square - later THAT NIGHT Molly and Jack in the gazebo in town square. Molly You want to hear something scandalous? Jack Absolutely. MOLLY I dated my boss. Jack The maniac? Molly nods. Molly But he wasnt my boss at the time. He worked at a different store. JACK What happened? MOLLY We met at the company Christmas party. They throw a bash at the Bowl-a-Rama every year. (a beat) He was having trouble picking up a spare on a seven-ten split. So I gave him a few pointers, and he bought me a beer. Totally improved his game. We dated for a few months, and everything was fine. (pauses) And then he gave me a drawer. JACK Okay. Rewind. MOLLY You know, a drawer. In his dresser. To keep some clothes in for when Id sleep over. Jack turns, looks at Molly. Disbelief. JACK You dumped him because he gave you a drawer? MOLLY Thats how it starts. First its one drawer. Then two. Then the whole dresser. Now the guys giving me furniture. (a beat) Once they start giving you furniture, its over. JACK You need help. MOLLY Gets worse. He said he loves me. Said its time to take our relationship to the next level. (a beat) They always want to go to the next level. Whats wrong with this level? Jack shrugs. JACK So what did you say back? MOLLY Nothing. I freaked-out. Felt like I couldnt breathe. I just left him there, naked. JACK Naked? Molly A few months later he transferred to my store, and Ive been facing the wrath of Jim Stalin ever since. JACK Stalin? Theres your problem. You cant go out with anyone named after a fascist dictator. MOLLY Its just a name. It doesnt mean anything. JACK Great. Then Ill set you up with my friend Dave Hitler. Int. Hotel hallway - outside jacks room - later Jack and Molly stagger down the hallway and stop at his door. Jack Remember that one summer I was home from college? We stayed up all night drinking wine coolers and talking about the existential meaning of that crazy Guns-N-Roses video. MoLLY November Rain. JACK Remember? Axel is about to marry Stephanie Seymore, and then it starts raining at the wedding. And theres a chick-fight. And then shes just.... Dead. MOLLY She totally died in the rain. Jack looks at Molly, about to make his move. 0002000006B00000D8C16AA,JACK I totally wanted to kiss you that night. Jack leans in to kiss Molly - Shes frozen with shock. Their lips are about to touch... WHEN A MAN - DOUG DELANEY - emerges from the elevator and YELLS to Jack, destroying the MOMENT: DOUG Jack? Jack Daly? Jack pulls back from Molly. She looks away, a little embarrassed. JACK Yes? DOUG Its Doug DeLaney. I sat behind you in woodshop, senior year. Jack doesnt remember. DOUG Remember? I lost two fingers and a thumb on the circular-saw. He holds up his HAND -- Sure enough, hes MISSING the digits. Jack Oh yeah. You were in band, too. (a beat) So how are you? DOUG Good. Not really playing the guitar any more. (a beat) You think I could get your John Hancock? JACK You bet. Jack signs the autograph, hands it back to Doug. DOUG Thanks. Thanks a lot. Doug turns and exits. Jack looks back to Molly, now just a bit awkward. JACK Do you want to come in? MOLLY Uuh. okay. Jack opens the door, they walk into the room laughing. INSIDE THE HOTEL ROOM There sitting on the bed, is TRISH. She is unpacking lingerie items from an enormous SUITCASE. JACK Trish? What are you... She approaches Jack, kisses him on the lips. Trish The weird kid let me in. I sent him home. (a beat) I decided to bail on Milan. Thought I should come support my fella. Trish extends her hand to Molly. trisH And you must be Molly. Jack has told me so much about you. MoLLY He has? Jack turns to Molly. JACK Molly, this is Trish. Trish Vandalay. Molly recognizes Trish - the semi famous model - and realizes the awkwardness of the situation. MOLLY Oh. Hi. Hello. Trish I have a fabulous idea. We should have dinner together. Tomorrow night. The three of us. 000200000A070000DF6BA01,OFF BOTH MOLLY AND JACKS expressions: TrISH Unless... (a beat) Did I interrupt a moment here? I shouldve called first. Molly downplays, Jack backpedals. MOLLY No. Not at all. Of course not. Jack Theres no moment. TRISH (to Molly) Great. Then tomorrow night? MOLLY Um. Okay. Im off at six. TRISH Fab. Well pick you up. Molly - bewildered - moves to the door and exits. IN THE HOTEL HALLWAY Molly walks to the elevator, then stops and BANGS her head against the wall, frustrated and a bit embarrassed. MOLLY (banging her head) Stupid. Stupid. Stu... Just then, the CHAMBER MAID - pushing her cart - rounds the corner and sees Molly. Molly is now beyond embarrassed. Molly Hey. Chamber maid Hi. And the maid keeps walking. Int. mollys HOUSE - the NEXT DAY Molly frantically trying to clean up the house. Randy on the couch watching a DIRTY MOVIE. We hear SEX SOUNDS. ON THE TV We catch images of a catamaran BOAT, a beautiful WOMAN, a bunch of guys dressed as construction workers, and what may or may not be a dwarf dressed like a pirate. A TITLE fades up on the screen and reads: MCHALES GRAVY Starring Buck Naked, Seattle St. James, and Hugh G. Wang. SUDDENLY, the SCREEN GOES BLACK. WIDER - Molly has flipped off the TV. Molly Dammit Randy. I told you - No porno in the living room. Now pick this stuff up. Weve got people coming over. Randy Dont be so uptight. The physical expression of love is a beautiful thing. MOLLY Making love is a beautiful thing. A gang bang on a Hobie Cat with eighteen construction workers and a lazy-eyed pirate dwarf is not. RANDY (raising his beer) Touche. The doorbell RINGS. Molly looks at her watch. Molly Dammit. (turns to Randy) I have to finish getting dressed. Can you entertain them for a few minutes? RANDY No problem-o. MOLLY Just be cool, Randy. I dont want you to embarrass me. RANDY Im the king of cool, mama. Molly disappears into the back bedroom. Randy opens the front door. Trish and Jack enter. Trish is wearing a MICRO-MINI SKIRT that barely covers her bits. Randy looks her up and down. Randy Hey, I seen you in one of those panty catalogues. Baby, you are thick all the way around. Trish Thank you. I think. RANDY (to Jack) Whats up, Hoss? IN THE BEDROOM Molly pulls a sweater over her head, smoothes back her hair. Maggie on the bed watching TV. Molly turns to her. Molly Is this okay? Maggie You look great. The two sisters move to the door, and PEER out into the living room. From their POINT OF VIEW, we see Trish in her TINY SKIRT, legs that go on forever. 0002000006900000E96C68A,maggie Ive never seen a skirt that short. MOLLY I think I can see her ovaries. BACK IN THE LIVING ROOM Jack, Randy and Trish making small talk. Jack (to Trish) What do you feel like eating? Trish Is there a sushi bar in town? RANDY Sushi? Round here we call that bait. Molly approaches the group. Molly Weve got a Chinese place run by Armenians. A Mexican place run by Chinese, and a steak house run by a paranoid schizophrenic. Take your pick. Jack Hows the steak house? MOLLY Im not sure. The owner spends all his time in a hollowed-out tree stump down by the creek. Jack looks over to Molly. Jack What about that place you used to work? MOLLY Thats not a good idea. Trish Im sure its fine. Int. CHoo-choo magoos - theme restaurant - night This place is like TGI Fridays on acid. Waiters in 1920s Barber Shop Quartet uniforms. Singing clowns. A nightmare. AT THE HOSTESS STAND The PERKY HOSTESS talks to Molly. hostess Hows things at the Food Barn? We sure miss you around here. (to the Jack & Trish) Molly made the best smoothies east of the Mississippi. We even named one after her when she left. (points to a drink menu on the wall) The Dingle-berry Zinger. Molly lowers her head. Molly Kill me now. The perky hostess looks up, smiling. Hostess Your table is ready. Follow me. AT THEIR TABLE Trish and Jack sit next to each other, Molly opposite them. They each have ridiculously OVERSIZED MENUS adorned with dancing fruit and wacky cartoon figures. The waiter takes their order. He hates his job. Molly Ill have the Kickin Chicken Ceasar Salad and an order of Mushroom Poppers. Oh, and a Razzmatazz Slushie with a bendy straw. 0002000008780000EFF6872,The waiter nods and moves on to Jack. Jack Ill start with the Bar-b-que Beef Riblet Niblets, and Ill have the Ragin Cajun Fiesta Basket. And give me a side of Super Slaw. Waiter Regular or Mount Everest? Jack Everest. WAITER You got it. Trish looks at the menu, then up to the waiter. Trish Is everything deep-fried? Never mind. Ill have a small house salad. No cheese. No olives. No dressing. Tall water with lemon. No ice. The waiter nods and walks away, scribbling onto his pad. A moment of AWKWARD SILENCE. Then Molly shifts into small-talk. Molly So. Being a model must be exciting. TRISH Its all right, I suppose. I get paid a lot of money to stand around in my underwear. The travel is nice, and I get to keep all the clothes. But the real challenge is maintaining your bikini line and keeping your nipples hard for a thirteen-hour photo shoot. (a beat) Im really focusing on acting now. Another model-turned-actress. Great. Trish (nods) I read for a sitcom last week. I hope I get it. Its a really intellectual and thought-provoking role. A real stretch for me as an actor. Jack Oh yeah? TRISH Its about a robot assassin who travels back in time to kill a man who will one day father a great rebel leader. But when she goes to kill him, she cant do it and they fall in love, get married and adopt several ethnically diverse children. JACK Are you the robot assassin? TRISH I wish. (a beat) Im the wacky neighbor. Molly takes a big sip from her Razz-matazz slushie. MOLLY So how did you two meet, any way? Jack Its kind of funny. When I first moved into my building, Henry Kissinger invited me to a party with him. Turns out it was Christy Turlingtons birthday party. MOLLY Henry Kissinger goes to model parties? JACK He tears it up. Trish interjects. Trish Ive been friends with Christy since rehab. Any way, I knew who Jack was, but wed never met. We dont really travel in the same circles. (a beat) So that night at Christys, I saw him standing there with Hank. And I walked right up to him and made the most obscene proposition right on the spot. Granted, I had about fourteen Manhattans in me... 00020000073F0000F868739,Molly leans in, like shes about to hear a secret. Molly What was your proposition? TRISH Lets just say it involved a bottle of Stoli, my Swedish friend Ingrid, and the number tois. MOLLY Holy cow. TRISH But heres the best part. Jack turned me down flat. Oh sure, he was nice about it. Hes always nice. But he actually said no. I couldnt believe it. MOLLY Me either. Jack jumps in. Jack So a month later, Im in Starbucks, and who do I see ordering a non-dairy mocha Frappaccino? Trish And weve been together ever since. BEHIND THEM, three CLOWNS begin singing. MOLLY I think it was Victor Hugo who said Love is the only ecstacy... TRISH ...everything else weeps. I love that quote. MOLLY Youve read Victor Hugo? TRISH Well, I did go to Oberland. Molly cant hide her surprise. Trish I know. You thought models were stupid. A lot of people do. Molly No, I just... TRISH Its okay. I mean, whod think a small-town grocery clerk would have read the French classics? So were even. MOLLY Even Steven. Molly stands. MOLLY I need to use the ladies room. Could you excuse me? INSIDE THE BATHROOM Molly at the sink, drying her hands. Trish enters, stands next to her at the sink. She primps herself in the mirror while she talks to Molly. Trish I just want to thank you, Molly. Molly For what? TRISH Jacks a little -- confused right now. About a lot of things. Molly doesnt follow. TRISH Sometimes men need a diversion. Even good men. Gives them time to clear their heads. Molly Whats that got to do with me? TRISH Dont you see? Youre Jacks diversion. And in a few days when his head is clear, hell come back to New York where he belongs. And you and this cowpoke town will just me a nice memory. MOLLY You dont know what Jack wants. Trish turns to face Molly. TRISH And you do? Trish looks Molly up and down. 0002000007520000FFA174C,Trish Look at you. Youre middle America. Youre soccer mom. Youre minivan. Youre Jean Nate and fanny packs. Trish steps up to Molly, just a bit too close. TRISH He made more money last week than you made all last year. Hes traveled to places you never even heard of. (a beat) Youre thirty years old and you work in a supermarket. And youve already got those little lines around your eyes. (a beat) Whatever youre trying to sell him, I guarantee he can find in a younger and prettier model. Trish looks at herself in the mirror, applies lipstick to her perfect lips and smoothes back her perfect hair. She turns to Molly. Trish See you back at the table. Trish exits. Molly looks at the tiny lines around her eyes. BACK AT THE TABLE Molly approaches Jack and Trish. She removes her jacket from the back of her chair. Molly I need to go home. Im not feeling well. Jack Are you sure? The mushroom poppers just came out. MOLLY Yeah. Ill call you tomorrow. Or something. Molly turns and exits. Trish gives a sarcastic bye-bye wave. Int. MollyS HOUSE - later Maggie sitting on the couch, huddled under a blanket. She eats ice cream from the carton with a huge spoon. Molly enters through the front door, exasperated. Maggie How was dinner? MolLY Clowns were singing as I stared into the true face of evil. (a beat) Your basic Fellini nightmare. Maggie Sounds... Scary. Molly flops on the couch next to Maggie. MOLLY Yeah. What are you doing? MAGGIE Wallowing. Collin is avoiding me. MOLLY Can I wallow with you? MAGGIE Sure, pull up some blanket. Maggie takes a bite of her ice cream, looks over to Molly. MAGGIE Did you ever hate me? This hits her like a ton of bricks. MOLLY What? MAGGIE After mom died. Did you ever hate me? I mean, if it werent for me, you couldve gone off to college and had a really great life somewhere. 000200000C22000106EDC1C,Molly turns, looks directly into Maggies eyes. Molly Now listen to me. I may have been frustrated by the situation, but I never ever blamed you or resented you in any way. Not even for one second. MAGGIE Are you sure? MOLLY (nods) We Dingles have to stick together. Were all weve got. The two sisters hug, teary-eyed. Randy enters the room, sees the tender embrace. Randy You guys goin lesbo? Sweeeet. Cut to: Int. jacks hotel ROOM - later Jack and Trish sitting on the bed. Jack That was weird. I hope Mollys okay. Trish The poor thing. Trish quickly changes the subject, now UPBEAT: Trish I have good news. Trish pushes Jack back onto the bed, climbs on top of him. She looks down at him, her gorgeous hair falling all around. TRISH My publicist has shifted strategy. He thinks if you and I go public with our relationship, it will actually be better for my career. OFF Jacks expression. Trish That means we can send out a joint press release announcing were a couple. Hes already worked-up a draft. (enthusiastic) Isnt that great? Jack rolls Trish off of him, stands, and walks across the room. He looks back at Trish, propped on her elbows on the bed. Jack This doesnt feel right. This whole thing. (pauses) I think you should go home. Go back to New York. Trish moves to Jack, kisses him on the cheek. She knows when to back off. TRISH Youre right. I shouldnt have come here. You need this time to yourself. (puts her suitcase on the bed) Ill catch the red-eye. Call me when you get back to the city. Ext. Mollys porch - the next DAY Molly waters several hanging plants with a garden hose, water dripping onto the porch. Jack approaches. Molly Shouldnt you be off somewhere feeding mice to the Dragon Lady? Jack Trish is gone. I asked her to leave. MOLLY Thats too bad. Jack brushes this off. JACK Come with me. I want to show you something. MOLLY It was really nice seeing you Jack. Really. We had some laughs. And it was great. But this is starting to get into a weird area, and I just dont need any complications in my life right now. Jack holds out his hand to Molly. JACK Just come with me. Please. She thinks for a second, and then she does. Ext. Jacks old house - front yard Jack leads Molly by the hand, across the street to his old house, and directly to the OLD OAK TREE that now towers over the front yard. Molly What are we doing here? JaCK Do you remember when my dad planted this tree? MOLLY (nods) You can still see the rope marks from the old tire swing. Jack kneels down, looks at the base of the TREE TRUNK. He brushes away some bark and moss with his hand. JACK Here, look. Molly leans down and looks where hes pointing. There, barely visible with the passage of time, is a CARVING in the tree that reads: JACK & MOLLY 4-EVER JUNE 6, 1984 ON JACK Smiling at Molly. Jack See, its still here. The front door of Jacks old house swings open. An old woman, MRS. FINKELSTEIN, steps onto the porch. She waves a broom threateningly. Mrs. FINKELSTEIN What are you doing in my yard? Im calling the police! 0002000007BE000113097B8,Molly grabs Jack by the hand. They run across the street, laughing like children. Behind them, Mrs. Finkelstein swings her broom, SCREAMING OBSCENITIES in Yiddish. ON MOLLYS FRONT PORCH Jack faces Molly. JACK Im sorry about Trish. I know she can be abrasive. Molly Detergents are abrasive. That woman is a barracuda. Jack looks at the ground, stammers for a second. JACK And about last night. In the hallway, when I tried to k... Molly Forget about it. The whiskey got the best of you. Did it? Jacks not so sure. Molly turns to go inside, then turns back to Jack. Molly You want to go for a ride? Like you wouldnt believe. Ext. rURAL HIGHWAY - Amish country - DAY Mollys truck drives past a cornfield, a windmill, an old farmhouse, a horse-and-buggy. They turn onto a smaller road, and then pull into the small downtown of New Holland, PA. Ext. Storefront - DAY Molly and Jack climb out of her truck, walk towards a store whose sign reads EZEKIELS QUILTS. Jack We drove all the way out here for a blanket? Molly Not a blanket, a quilt. Nobody beats the Amish in quilting. INSIDE THE STORE Piles of gorgeous hand-made quilts. Molly approaches EZEKIEL, a fifty-ish man in traditional Amish dress: The hat. The beard. The clothes. He looks up from his work. Molly Hey Zeke. I hope its not a bad time. I wouldve called first but... The Amish dont have phones. Ezekiel smiles. Ezekiel Miss Dingle. Always a pleasure. MOLLY (motions to Jack) This is Jack Daly. EZEKIEL Good to meet you. (to Molly) Ill go fetch your quilt. I think youll be pleased. Ezekiel disappears into the back room. Jack looks at Molly. Jack You know that guy? Molly I dated his son a while back. JACK You dated an Amish guy? Molly (nods) All I need is a Mormon and a Quaker to complete the set. Ezekiel approaches, holds up a BEAUTIFUL QUILT. Molly looks at it, feels the material with her fingers. Molly Its beautiful. Just beautiful. EzekIEL Im so pleased, child. 000200000DF800011AC1DF2,Molly opens her wallet, hands some cash to Ezekiel. Molly Thank you Zeke. Shes going to love it. Give my best to Jacob. Molly and Jack exit the shop. OUT ON THE STREET Molly carries her quilt. She and Jack walk past several Amish shops to the truck. Molly Jacob. Thats Zekes son. Kind of a messy break-up. (motions to a pie shop) You wanna get some rhubarb pie? Jack Dont change the subject. (whispers) Did you have sex with him? Molly Im not going to answer that. JACK You did. You had sex with the Amish. MOLLY Not all of them. A group of Amish children run past them, laughing. JACK So... How was it? MOLLY It was okay, I guess. Pretty standard. But not because hes Amish, though. JACK Then why? MOLLY Im having a little trouble in that department. JACK Which department? Molly looks around, then says discreetly: MOLLY I have a difficult time... (whispers) .....Letting go...... (louder) ....at the crucial moment. JACK You dont orgasm? A family of Japanese tourists turn and stare at Molly. She steps off the curb to her truck, puts the quilt in the back. MOLLY Not usually. I cant focus. I get distracted. JACK By what? A long pause. MOLLY My dead grandmother. JACK Explanation please. MOLLY Ill be getting in the groove, and it feels like Im getting close... Then I look over and theres my Nana sitting in a chair, with the newspaper on her lap, working on a crossword puzzle. And that kills it. Brings me right back down to earth. jack Is it always like that? MOLLY It varies. Sometimes shes doing the Jumble. Molly climbs in the cab of her truck. Ext. ConSTRUCTION SITE - day The wooden frame of a partially completed house. Guys in hard hats everywhere. COLLIN hammers nails into a support beam. Molly climbs out of her truck, a small paper bag in her hand. She approaches Collin. He stops hammering, stands up. Molly Hi. She hands him the paper bag. Collin Whats this? MOLLY Lunch. I made you a sandwich. COLLIN (looks in the bag) Thanks. Collin turns to go. Molly stops him. MOLLY Maggie misses you. She loves you. COLLIN I love her too. MOLLY Then go to Columbus. COLLIN Look, Im just a guy in a small town. I barely graduated from high school. I hammer nails for a living, and I drink beer on the weekends. Thats my life. (a beat) But Maggie, shes got a future. She doesnt need me holding her back. Im dead weight. The FOREMAN yells to Collin. Collin I gotta get back to work. And he jogs back to the site. Ext. supermarket - pARKING LOT - DAY Molly and Jack climb out of her truck. She looks at a LIST in her hand. Molly Weve got a lot of stuff to do for this graduation party. Everythings got to be perfect. Jack Im here to help. They mosey to the store entrance. Jack takes the list from her. INSIDE THE GROCERY STORE Molly pushes a cart, Jack looks down at her list. JACK Im a little disappointed, Moll. Figured your grocery list would be more organized. (waves the list) This is chaos. Molly snatches the list from him. MOLLY The items are in sequential order, corresponding to their aisle and department, working across the store from right to left. A blank look from Jack. Molly takes a couple of steps to her right, enters the first aisle. MOLLY Why is Gatorade first on the list? Because as you enter the store and move to your right, the sports beverage aisle is the first stop in your natural progression. Molly stops, points to a shelf: Jugs of Gatorade. MOLLY Boom. Theres your Gatorade. Right where its supposed to be, according to the list. 0002000006D3000128B36CD,(waving the list) Thisll shave twenty minutes off your shopping time, guaranteed. Molly loading gallons of Gatorade into the cart. Jack watches her in awe. FREEZER DEPARTMENT Molly at the freezer, tossing tubs of ice cream into the cart. Jack watches. JACK Trish is closed-off in a lot of ways. MOLLY More than me? Molly drops the last ice cream tub into the cart, closes the freezer door. They continue to the cereal aisle. JACK No one is more closed-off than you. Youre like that mime trapped in the invisible box. (motions to the shelf) Grab some Fruity Pebbles. Molly takes a box off the shelf, tosses it in the cart. Jack looks at her, pleading his case. JACK I want someone who isnt afraid to express her feelings. Someone who will take a risk. Someone who will peel back the layers of fear and shame and cynicism and stand before me naked, screaming that she loves me at the top her lungs, for the whole world to hear. (picks up a box of donuts) You still like Chocodiles? MOLLY You frighten me. And yes, I still like Chocodiles. Molly pushes the cart, Jack follows reading her list. They continue down the aisle chit-chatting, turn the corner, and disappear from view. checkout line Molly and Jack waiting in line. Molly reaches over to the magazine rack, snatches a TABLOID NEWSPAPER. INSERT TABLOID A large photo of a convicted serial killer - CANNIBAL KEITH - wearing a Hannibal Lector-style restraint mask and a tuxedo. He is holding hands with a mousy woman, wearing a wedding gown. Headline reads: Killer Cannibal Keith Takes Jailhouse Bride. Exclusive photos inside. WIDER - Mollys shocked expression. MOLLY The cannibal is married, and I can barely get a date. Thats perfect. Just perfect. 000200000A5800012F80A52,Molly pays the clerk. JACK Its no big deal. Lots of prisoners get married. MOLLY Its not just any prisoner, its Cannibal Keith. The guy killed fourteen people and boiled their skulls to make soup. (a beat) I can be a little bitchy sometimes, but I never devoured human flesh. The BAG BOY looks up. BAG BOY Paper or plastic? Ext. SupeRMARKET - parking lot - day Jack and Molly loading the groceries into the back of her pick-up truck. JACK Wait a second. Youre telling me you believe in UFOs but you dont believe in God? Thats insane. Molly heaves a case of beer into her truck. MOLLY You think were the only intelligent life form in the universe? Thats just arrogant. I mean, were the planet who invented parachute pants, the Pet Rock and line-dancing. How smart can we be? (a beat) Ive seen photographs of aliens. Ive seen the crop circles. But Ive never seen proof of God. (a beat) Id just like a little proof, thats all. Jack loads the last of the bags, turns to look at Molly. JACK But the proof is everywhere. What about the miracle of childbirth? MOLLY Monkeys have babies, and they dont believe in God. JACK They might. Molly stops, looks directly at Jack, hands on her hips. MOLLY You think the monkeys have a God? Jack nods. MOLLY Who is the monkey God, Jack? Who is the monkey God? Jack shrugs I dont know, climbs into the truck. ext. Mollys truck - traveling shot - day Mollys truck cruises on a country road, drives past several rickety farmhouses and grazing livestock. Molly and Jacks conversation continues as a VOICE-OVER: MOLLYs VOICE I used to pray a lot. At first about my dad. That he would call or come home. And then about my mom. That she wouldnt be sick any more. (a beat) When she died, I just stopped. Just didnt see the point. A pause, and then: MOLLYs voice You ever pray? JACKs voice Of course. MOLLYs VOICE Like where? In Church? JACKs voice Wherever. In bed. While Im driving. In the grocery store. Depends. You can talk to God just about any where. DISSOLVE TO: Ext. truck - DAY The truck turns onto Mollys street. MOLLYs VOICE You talk to God in the grocery store? Jacks voice Sure. MOLLYs VOICE Does he answer back? JACKs VOICE I dont actually hear a voice, if thats what you mean. But the answers are always clear. The truck pulls to a stop in Mollys driveway. INSIDE THE TRUCK Molly turns off the ignition, looks at Jack. MOLLY What kinda stuff do you pray about? JACK I dunno. Typical stuff. If Im having a problem or something. (a beat) I pray for people I know. MOLLY You ever pray for me? JACK Oh sure. All the time. 0002000004B6000139D24B0,Molly looks at him, touched. And they climb out of the truck. Int. Mollys house - DAY Molly and Jack decorating for Maggies graduation party. Jack stands on a chair, hanging a GRADUATION banner in the living room. They banter as Molly directs traffic: JACK You think men are more complicated than women? Youre nuts. Molly (squints at the banner) A little to the right. Jack moves the banner. Molly Back just a little bit. Jack moves it back. MOLLY Good. Jack climbs off the chair. MOLLY Maybe Im nuts, but Ive spent most of my life trying to understand men, how they think, why they act the way they do. And you know what Ive come up with? Dick. Absolutely dick. The FRONT DOOR opens and Maggie enters, reading a letter. Maggie Its official. My new roommates name is... (trying to get it right) Xiang Ling Chao. Shes a bio-chem major. MollY Cool. Jack You never forget your first college roommate. Maggie turns, scampers up the stairs. Molly looks at Jack. MOLLY Most people think women are emotionally volatile. And we are. But at least our mood swings follow a cycle. Hell, you can mark it on your calendar. But men -- Theres no pattern to your behavior. Its chaos. 0002000009F100013E829EB,Jack Thats not true. MOLLY Ive never seen a womans emotions hinge on the outcome of a football game, thats all Im saying. Jack ponders this. Shes got a point. Int. Jacks hotel/mollys bedroom - later that night SPLIT SCREEN. Jack and Molly in their respective beds watching TV, talking on the phone to each other. Jack scribbles notes onto his pad, balls of paper everywhere. Jack Go to the Discovery Channel. Theres a thing on Sharks. Molly CLICKS to the channel. On the TV SCREEN, a great white shark attacking a seal. Bloody. Vicious. Molly This is why I dont swim in the ocean. Jack Thats one thing about Trish. Shes not afraid of anything. Shed swim with sharks in a second. MOLLY (under her breath) Thats because they wont eat their own kind. JACK I heard that. They watch TV in silence for a few seconds, then Jack speaks: JACK You know what really bothers me about Trish? MOLLY Nuh-uh. JACK She never calls me at work. Never. Everyone else gets calls from their girlfriends or wives. But she never calls. Says she doesnt want to bother me. But when you care about someone, you want to be bothered by them. Otherwise youd say Dont bother. MOLLY I used to call you at work all the time. Did it bother you? JACK Yep. MOLLY Good. jack (smiles) Yeah. MOLLY Goodnight Jack. See you in the morning. JACK Night. Molly FLIPS OFF her light. A few seconds later, Jack FLIPS off his. And the screen is dark. Int. Mollys house - graduation day - morning Maggie gets dressed for her graduation. Molly puts the cap on her head, positions it just right. Then they turn and face Randy - wearing only speedo briefs - who is holding a camera. They pose, and he SNAPS the picture. Int. jacks hotel room Jack getting dressed. He buttons his shirt, slips his tie around his neck. Ext. High school - graduation stage Kevin - the audio/video master - sets up the PA system for the graduation ceremony. Ext. Cemetary Molly and Maggie - now fully dressed in her graduation cap and gown - stand in front of their mothers grave. Molly pops a bottle of champagne, then pours two long-stemmed glasses. She hands a glass to Maggie, they TOAST each other, then raise their glasses to their mother. Ext. high SCHOOL - graduation STAGE - day Molly, Randy, and Sally seated in the bleachers with all the proud parents. ON THE FIELD All the graduating seniors in fold-up chairs. Maggie turns and waves to Molly. ON THE STAGE A ROWDY SENIOR is wrapping up his speech. Principal Teitelbaum casts a watchful eye. 000200000FA70001486DFA1,Rowdy senior In conclusion, Id like to thank my mom and dad, my crew - Tommy, Hooch, and Boner - we made it guys - and the biggest mac-daddy of all, God. (pumps his fist in the air) See you all at Pugsleys tonight! Fourteen kegs and a freezer full of Jell-O shots. Taft High rules! The Principal approaches, and steers the rowdy senior away from the microphone. The CROWD goes wild. Principal Thank you, Toby. Spirited as usual. (a beat) And now, I am proud to present a graduate from the class of 1989 and Taft Highs Favorite Son. Please welcome Mr. Jack Daly. Huge APPLAUSE from the crowd. Jack steps to the microphone. He gets a thumbs up from Kevin. Jack First of all, I want to thank Principal Teitelbaum and the Taft High alumni association for inviting me to speak here today. (a beat) Im going to keep this short, because I know how boring these speeches are, and I dont want the beer to get flat at Pugsleys. More CHEERS from the crowd. Jack removes his speech from his shirt pocket. Jack So in the interest of time, I thought Id cut through all the motivational rhetoric and just tell you the secret to success. So here it is. (a beat) Go. Be. Happy. Its really that simple. Just go and find the thing that makes you happy, and do it every day for the rest of your life. Go dancing every chance you get. Laugh with your friends. Tell your parents you love them. Cry at the movies. Make love in the rain. The CROWD cheers. Jack looks DIRECTLY at Molly, like the next bit is meant for her. Jack Live your life without fear. And love. Love with abandon. And let yourself be loved. And follow your heart wherever it may lead you. Whether its across the street, or across the ocean to the other side of the world. John Lennon said Love is the answer and Im pretty sure he was right. Good luck, my friends, wherever your hearts may lead you. (a beat) Now go. Go be happy. The CROWD erupts in a chorus of CHEERS, and the COMMENCEMENT BEGINS. THE GRADUATION STAGE A FEW MINUTES LATER Principal Teitelbaum, announcing names and handing out diplomas. PRINCIPAL Crawford, Anthony. (applause) Denehy, Marie (applause) Dingle, Margaret... Maggie gets to the podium, receives her diploma, then turns to the audience and holds it high in the air. ON MOLLY in the audience. She stands, screams and applauds. Turns to hug Randy next to her. MolLY Way to go, Maggs! ON JACK, seated on the stage. He stands and applauds, smiling proud. Int. MOLLYS HOUSE - graduation party - later The graduation party in full-swing. A giant spread of food. Music on the stereo. People laughing, chatting, drinking beer and champagne, eating clam dip and fresh shrimp. Sallys TAROT CARDS are spread on the coffee table. Shes reading Randys cards. Kevin roams around with a VIDEO CAMERA. It is warm and friendly, and obvious that these people care about each other. IN THE KITCHEN Molly sets a tray of appetizers on the buffet table. Jack in the kitchen behind her, preparing an exotic dish. He rifles through various cabinets. JACK Where do you keep your spices? I need some curry. Maggie comes up behind him, opens a cupboard door. Maggie Here. She points inside the cabinet to several NEAT ROWS of spice jars. MaggIE She arranges them by country of origin. (points to a bottle) Curry. Its Indian. Filed under I, which also stands for insane. Jack smiles, shaking his head. Molly looks over. MoLLY What? ON THE PORCH - A FEW MINUTES LATER A gorgeous warm summer night. Sally and Randy are smoking and chatting with Molly and Jack. MOLLY All right, let me ask you this. (a beat) Why are all men obsessed with Catholic School girls? Sally Yeah, whats that about? Sally takes a drag off her cigarette, exhales. JACK Well, you can start with the short plaid skirts. randy And the thigh-highs. Dont forget the thigh-highs. sally I went to a Catholic school, and we didnt even wear thigh-highs. Thats just in rock videos and porno movies. 00020000078C0001580E786,randy (smiles) Exactly. Kevin enters, still holding the video camera. jack And the white knee-high socks. Oh, and pigtails. Kevin Yeah, pigtails are key. Molly takes a swig of her beer. Molly I still dont get it. I mean, do you know any women who have Alter Boy fetishes? JACK Its the whole religious thing. Theyre supposed to be all innocent, you know, because of God. But theyre not innocent. Theyre naughty. RANDY And naughty girls need to be spanked. Oh brother. Molly just rolls her eyes. IN THE LIVING ROOM - LATER Maggie is opening gifts. She takes the ribbon off a large box, opens the lid, and removes the HAND-MADE QUILT. She turns to Molly, who is smiling. Maggie Its beautiful. I love it. I absolutely love it. And the sisters hug. MOLLY STANDING ON THE COFFEE TABLE She TAPS a spoon on the side of her wine glass to get everyones attention - CLINK CLINK CLINK. Everyone in the room turns to look at her. Molly I want to propose a toast to my baby sister, the college girl. Maggie, although you can be a colossal pain in the ass sometimes... The crowd laughs. MOLLY I love you with all my heart, and I am very very proud of the person you are, and excited for all that you will accomplish in your life. (raises her glass) Heres to you, my little Magpie. The entire crowd raises their glasses and toasts the cheer. IN THE BACKGROUND The front door opens and COLLIN enters. He carries a large bouquet of flowers. Everyone in the room turns to look at him. Maggie approaches him. He hands her the flowers. Collin Sorry I didnt call you back, but Ive been busy packing. (a beat) I got this great job in Columbus. Maggie Really? COLLIN (nods) Maybe we could hang out when you get to school. And she kisses him. Everyone in the room claps. Molly smiles, and Jack puts his arm around her. OUTSIDE THE BATHROOM Jack and Randy waiting in line for the bathroom. Jacks a little drunk. 000200000C5E00015F94C58,Jack You ever been in love, Randy? randy I thought I was once. She was this Hella-fine Greek girl, Constantina. (reflecting) My stomach was doing flip-flops. I was sweating. Dizzy. Nauseous. Turns out I had food poisoning. Got some bad clams at the seafood buffet. Practically shit myself at the Red Lobster. Kevin approaches with the video camera. He shoots Jack and Randy, then turns and POINTS THE CAMERA across the room. THROUGH THE VIDEO CAMERA VIEWFINDER we see: Molly standing by the buffet table, swirling a CARROT STICK in some creamy dip. Shes talking to someone, smiling and laughing. She tucks a few stray wisps of hair behind her ear. Shes beautiful. Shes real. Molly turns around and hands the CARROT STICK to a smiling four year-old girl, who happily crunches away. THE VIDEO CAMERA turns back to JACK, TIGHT ON HIS FACE. Hes just staring at Molly, unaware hes being filmed. God shes beautiful. BACK IN THE HALLWAY The BATHROOM DOOR opens, and a FAT GUY exits. Randy enters the bathroom, and the STENCH hits him. He turns and yells at the guy: Randy Whatd you do in here, gut a pig? And closes the door behind him. LATER IN THE LIVING ROOM The party has died down, most of the people have gone. Randy is passed-out on the couch. Molly and Jack are cleaning up. Maggie and Collin - hand in hand - approach Molly. Maggie Were heading over to Pugsleys. Molly Have a good time. Be smart. Molly and Maggie hug. Maggie Thanks for everything Molly. Collin Yeah, thanks for everything. And they head out the door. ON THE PORCH - LATER Molly and Jack sitting on the porch swing. They pass a bottle of whiskey. Jack My life has been so crazy. Its been non-stop. (a beat) This is the first vacation Ive had in three years. Molly And you came here? You should fire your travel agent. Jack looks around. JACK I really miss this place. (looks at Molly) I miss a lot of things. Molly takes a swig from the bottle, wipes her mouth with her sleeve. She looks over at Jack. MOLLY You wanna hear something funny? Sally did our astrological charts and compared them. Shes crazy. Yeah. JACK Compared them for what? MOLLY You know, general compatibility. Complementary personality traits. Stuff like that. Oh, and there was some, um, sex stuff. JACK Some what? MOLLY Sex stuff. Physical compatibility. (motions to the bottle) Gimme that. Jack extends the bottle. Molly takes another deep pull. JACK So are we... physically compatible? MOLLY According to the chart, yeah, were supposed to be. Probably doesnt mean anything. JACK Probably not. (a beat) I should probably get back to the hotel. MOLLY Oh. Okay. Molly stands, hits her head on a LOW-HANGING PLANT. MOLLY Dammit, that hurt! Im such a klutz. JACK Let me see... Jack moves her hand away from her forehead. JACK Youre gonna have a nice little bump. We better put some ice on that. IN THE KITCHEN Molly sits on the kitchen counter. Jack at the freezer, looking inside. He turns to Molly, a frozen HOT POCKET in his hand. JACK Hold this to your forehead. MOLLY A ham and cheese Hot Pocket? JACK Nobody filled the ice tray. 000200000C3A00016BECC34,Molly holds the frozen Hot Pocket to her head. JACK Okay, let me see. Molly takes the Hot Pocket from her head. Jack leans in close, gently KISSES her forehead. Molly again holds the Hot Pocket to her forehead. Molly Can I ask you a question? JACK Shoot. Molly You lived in that house across the street forever. How come in all those years, through high school, through college, even after college... (pauses for emphasis) How come you never once brought a girl home to meet your parents? Jack looks deep into her eyes. Jack I didnt need to -- My girl was already home. Molly kisses him on the lips. Deep, passionate. Molly pulls back, her hands on Jacks face. molly Jack, this is so weird. jack Should I stop? Molly You better not. Molly pulls him to her. Another passionate kiss. The Hot Pocket drops to the linoleum with a THUD. INSIDE THE BEDROOM Molly and Jack standing, locked in a passionate embrace. Hands everywhere. A lifetime of familiarity. Molly falls backwards onto the bed, pulling Jack on top of her. ON THE BED - A SHORT TIME LATER Theyre making love. Mollys eyes closed. The heat of passion. Shes getting close... Then she OPENS her eyes, looks over, sees her DEAD GRANDMOTHER in a chair, newspaper on her lap, doing the crossword puzzle. Just when it looks like Molly has lost the CRUCIAL moment... Her Grandmother STANDS and WALKS OUT of the room. Jack notices Mollys momentary distraction. jack Are you okay? molly Yeah. Very okay. They continue kissing. Mollys EYES CLOSED, lost in rapture Int. mollys bedroom - later His clothes strewn about the room, hers folded neatly over a chair. Theyre in bed. Shes nestled against him, her head resting on his bare chest. Its one of those quiet moments. Jack My parents are getting divorced. Molly looks up. MoLLY Bud and Kitty? No way. JACK Thirty-seven years of marriage, and she leaves him for a shuffleboard instructor. Ramone. MoLLY Im sorry. Im really sorry. JACK The worst part is that Ive never seen her so happy. Shes like a totally different person. Molly lays her head back on his chest. After a second, asks softly. MOLLY Whats the worst thing youve ever done? Jack I killed a drifter in his sleep. Molly gives him a Come on, be serious look. JaCK Lets see. I didnt call my best friend for five years. That was pretty bad. Yeah. Pretty bad. JACK Oh, and you know those mail-order music clubs - Get ten CDs for a penny? In college I stole someones package from the mailroom. MollY So youre a bad friend and a thief. JACK (laughing) I was so broke that year I gave them out as Christmas presents. (a beat) What about you. Whats the worst thing youve ever done? She swallows. MoLLY I hated my mom for dying. Jack rolls Molly onto her back, runs his fingers through her hair, looks deeply into her eyes, and kisses her gently. The tender kisses become hungry and passionate... Int. mollys house - the next morning Molly in bed, peaceful, still half-asleep. She reaches across the bed for Jack, but hes not there. She opens her eyes, sits up in bed. Shes alone in the room. 0002000004940001782048E,Molly wanders through the house, checking each room, until she gets to the kitchen. IN THE KITCHEN Jack at the stove making breakfast - eggs frying, coffee brewing. Molly comes up behind him, kisses him gently on the neck. MoLLY I thought you left. Jack pours a cup of coffee, hands it to her, and kisses her sweetly on the lips. Jack Nope. (a beat) But I do have to pack. Molly moves away from Jack, a little cool. MOLLY So you are leaving. JACK Well, yeah. I have to be back in New York tomorrow. Molly moves to the door, now ice cold. JACK Can we talk for a minute? I want you to... Molly cuts him off mid-sentence. MOLLY I have to go to work. Feel free to hang around. Take off whenever you want. (a beat) I gotta go. Molly exits. Jack stands there alone in her kitchen, looking like the victim of a hit-and-run accident. Int. suPERMARKET - DAY Molly at her register. She talks across the aisle to Sally. Sally I shouldnt have stayed so late. My head is killing me. (pops two aspirin) What time did Jack leave? Molly He didnt. SALLY He didnt leave? Molly shakes her head no. Sally realizes what shes really saying - Her eyes get WIDE. 000200000C0C00017CAEC06,Ext. Mollys house - DAY Dark clouds rolling in. Kevins car pulls in front of Mollys house. Jack pads down the steps, rumpled, still wearing his clothes from the night before. He opens the passenger door and climbs inside. INSIDE KEVINS CAR Jack looks over to Kevin. JaCK Thanks for the lift. Kevin No prob. (looks at Jack) So you stayed the night, huh? Jack nods. Kevin looks at him, eyes wide. Kevin You are a God. Teach me your ways. Cut TO: Ext. suPERMARKET - later Molly on her break. Sally sits on the bench next to her, smoking a cigarette. Their conversation continues. The sky darkens on the horizon. Sally Its so romantic. Its like a fucking fairy tale or something. (a beat) So, is it serious? Molly looks right at Sally, just a bit too adamant. molly Of course its not serious. Ive known him my whole life. Cut TO: Int. KeVINS CAR Light rain sprinkles on the windshield. Kevin looks at Jack. Kevin So, what happens now? Is it serious? jack Of course its serious. Ive known her my whole life. Cut TO: Int. supermarket - afternoon Molly at her check stand, scanning groceries. She looks up at the CUSTOMER. Molly Do you have your club card? The customer checks his wallet, then shakes his head no. Customer I dont have one. SUDDENLY, Jack appears in line BEHIND the customer, and extends his own CLUB CARD to Molly. Jack Here, use mine. Molly takes Jacks card, scans it, and hands it back to Jack. CUSTOMER Hey thanks. JACK No problem. The customer pays Molly and exits. Jack steps up to the register. Molly What are you doing? JACK Im leaving tomorrow. Can we please talk? MOLLY Youre holding up the line. Theres paying customers here. Jack turns to the candy rack, takes several ENTIRE BOXES of CANDY BARS and dumps a HUGE PILE onto the conveyer. JACK There. Im a customer. Molly looks at him for a second, then starts scanning each candy bar. Jack You are amazing. Last night was amazing. The woman behind Jack in line gives a VERY INTERESTED look. Molly continues to scan candy bars. JACK And the thing is... Molly Dont say it. JACK The thing is... I love you. I dont when it happened. Maybe Ive always loved you. Maybe I fell in love with you this week. But I love you. Molly starts to BREATHE a bit heavier. MOLLY No you dont. Molly rings up the last of the candy bars. The register screen reads $42.75. Molly Forty-two seventy-five. Jack grabs a HUGE STACK of TABLOID MAGAZINES from the rack, drops them on the conveyor. Molly starts scanning each one. Jack Come to New York with me. MOLLY I cant go to New York. JACK Why not? The only thing keeping you here is yourself. MOLLY Everything is so easy for you, Jack. While you were shotgunning beers with your frat bros and cramming for midterms, you know what I was doing? I was here, helping Maggie with geometry homework and carpooling to soccer practice. If you want to know how many kids you can fit in a minivan or how to calculate the circumference of a cone, then Im your girl. But Im not going to New York. Im not going any where. 000200000695000188B468F,Jack pauses for a LONG second - like hes about to make a LIFE-ALTERING decision. And then he does: JACK Then Ill stay. MOLLY What? JACK Ill stay in Pottersville. My contract is up at the end of year. Were renegotiating now, but I could just walk away. Ill get a job here in town. At a local station. (a beat) Ill do it. MOLLY Are you psychotic? I dont want you moving back here for me. I dont want you doing anything for me. Mollys breathing is BELABORED, like she might hyperventilate. She scans the last of the tabloid newspapers, looks at Jack. MOLLY Ninety-four sixty-three. Jack takes his wallet, peels off a HUNDRED DOLLAR bill, slaps it on the counter, and exits in a huff. MOLLY Jack. Jack! Mr. Stalin steps up to the register. He doesnt look happy. Mr. stalin This is the Express Line. You should really enforce the fifteen item rule. ext. jacks hotel - night Pouring down rain. The NEON SIGN of the hotel casts an eerie GLOW on the sidewalk. Theres a truck parked in front of the hotel, but its hard to see in the dark. Jack approaches the hotel on foot, drenched. He carries a brown paper bag with a bottle of booze in it. Hes already had a few drinks. ON THE PARKED TRUCK The CAB LIGHT comes on, as the door opens and MOLLY emerges. Jack sees the figure through the hazy rain. She calls to Jack. Molly Jack? Hold on a second. Jack (squints) Molly? Molly Where have you been? Ive been waiting out here since... JACK Look, I have to pack. MOLLY Please Jack. This is hard for me. He turns to walk away. Molly grabs him by the arm. MOLLY What do you want me to do? Just tell me. Jack steps close to Molly, looks her in the eyes. 00020000069E00018F43698,JACK Tell me youll come to New York. Tell me to stay in Pottersville. Tell me you love me. Tell me anything. MOLLY I... I... I cant. (a beat) Im afraid of leaving. Im afraid of staying. Im afraid of falling in love. Im afraid of being alone. (a beat) Im tired of being afraid. JACK Im on the ten-thirty flight tomorrow morning. I hope youre on it with me. Jack turns, walks up the steps to his hotel, opens the door and disappears inside. ON MOLLY Standing on the sidewalk beneath the HOTEL SIGN - bathed in neon - drenched head to toe, yelling like a crazy person. MOLLY (yelling) You think this doesnt hurt me? You think I like being this way? Well, I dont. I hate it. I really hate it. You cant tell her teardrops from the rain. Ext. AirpORT - the next morning Planes taking off and landing. INSIDE THE AIRPORT Jack and Kevin hug goodbye. Jack walks through the metal detector, to the TICKETED PASSENGERS ONLY area. Kevin waves goodbye, then turns and heads back to his car. Cut TO: Int. MollyS bedroom Molly in bed, but shes not sleeping. She hasnt slept all night. She looks over at the clock: 9:15AM CUT TO: Int. Airport - check in desk Jack hands his ticket to the PRETTY GIRL behind the counter. She smiles, hands him back his boarding pass. He looks around for Molly. No luck. Cut TO: Int. MollyS bedroom Molly looks at the clock again: 9:45AM. Molly Dammit. She THROWS the covers off, FLIES out of bed, SLAMS on her tennis shoes, PULLS on a Pittsburgh Pirates baseball cap, and DASHES out of the room. CUT TO: Int. Airport - boarding area People boarding the plane. Jack waits, looking for Molly. He checks his watch. Cut TO: 000200000A9F000195DBA99,Ext. freeway Mollys truck speeding down the freeway. She takes an Airport Exit. Cut TO: Int. Airport - boarding AREA More people boarding. Jack checks his watch again. Cut TO: EXT. AIRPORT TERMINAL - CURBSIDE Mollys truck SCREECHES to a stop at the curb. She jumps out of the cab - still in her pajamas and tennies - and runs into the terminal. INSIDE THE TERMINAL Molly runs to the METAL DETECTOR, and tries to pass through. The BURLY SECURITY GUARD stops her. Security guard Ticket please. Molly I dont have a ticket. Im just trying to get to the boarding area. The security guard points to a large sign above his head: TICKETED PASSENGERS ONLY BEYOND THIS POINT SECURITY GUARD Sorry, maam. Molly turns, runs back to the TICKET COUNTER. She cuts in front of an old man, pushes her way to the counter, slaps down her credit card. MOLLY I need a ticket. Fast. Ticket agent All right. Where will you be traveling today? MOLLY Any where. Just make it quick. Cut TO: BOARDING AREA The AIRLINE STEWARD is about to lock up the gate. Jack looks around anxiously. Checks his watch. No Molly. He turns and BOARDS THE PLANE. Just then, MOLLY rounds the corner, TICKET in her hand, only to see: The AIRLINE STEWARD closing and LOCKING THE GATE. MOLLY Wait, I need to see someone on that plane! Airline steward Im sorry miss. Youre too late. Molly looks out the big WINDOW, sees the plane PULLING AWAY from the terminal. FADE TO BLACK. A TITLE READS: THREE MONTHS LATER The Guns-N-Roses song November Rain comes up LOUD and plays over the next few scenes. INT. mollys kitchen - morning Fresh coffee brewing. Molly stares at the toaster, in a daze. Randy enters, stumbles to the coffee maker with a newspaper under his arm, pours himself a cup. Hes wearing a half-shirt and underwear. When he turns his BACKSIDE to us - we see hes actually wearing a THONG. The toast pops up. EXT. ohio state university campus - day Maggie, backpack slung over her shoulder, meanders her way through the crowded college campus. She talks on a cel phone, smiling. Int. High school audio/video lab Kevin splicing bits of SUPER 8 film together from Jacks box. He pops a VIDEOTAPE into a deck. Ext. trendy New yoRK CITY restaurant - day Were looking in through the front window, and we see Jack and TRISH at a table. We cant hear what theyre saying, but shes obviously upset. She stands, rips off a few more choice words, then grabs her coat and storms outside. ON THE STREET Trish turns, looks at Jack through the front window, and gives him THE FINGER. Int. Columbus tv station - DAY Collin at his new job, wearing jeans and a carpenters tool belt. Hes on a break, talking on a cel phone too... 00020000074D0001A074747,Int. Supermarket - day The CAMERA PANS ACROSS a rack of tabloid newspapers, past various covers boasting stories like: Three-Breasted Woman Gives Birth to Siamese Triplets and Lose Weight Fast on Oprahs All-Mayonnaise Diet. The CAMERA continues past a tabloid with JACK on the cover. Hes unshaven, in dark glasses, heading into a courthouse. Headline reads: Jack Dalys Stalker Arraigned! Exclusive Photos Inside. CAMERA PANS ACROSS to Molly at her register. Shes scanning groceries, staring straight ahead, her movements mechanical like those creepy robots in Disneylands old Hall of Presidents. Ext. street - Mollys house Kevins Taurus pulls in front of Mollys house. He climbs out of the car carrying a VIDEOTAPE CASSETTE in his hand, scurries to the mailbox, and drops the tape inside. Int. trendy club - Network party - night Jack at another Network party. Ernie Snopes has him cornered by the shrimp puffs. Jack looks like hed rather be eating a crap sandwich. Ext. Mollys house - evening Molly trudges to the mailbox. She removes a stack of mail, including the VIDEOTAPE. She eyes it curiously. Int. Mollys HOUSE Molly under a blanket watching Walker Texas Ranger, eating ice cream from the container. Molly reaches for her glass of wine, and sees the VIDEOTAPE on the table. She picks it up, walks over to the VCR, and pops it in. ON THE TV SCREEN GRAINY SILENT HOME MOVIE FOOTAGE, where the following scenes have been cut together: Mollys backyard birthday party. Young Molly and Jack, ten years-old, wearing paper party hats. Lots of other kids, including Frankie Farnsworth, Timmy Steiner, and Leonard Blitzwig. Theres a huge birthday cake, candles blazing. Christmas morning at Jacks house. A huge decorated tree, tons of opened presents, wrapping paper everywhere. Molly and Jack are wearing red Santas hats. 000200000B9E0001A7BBB98,IN JACKS GARAGE. Jack sits behind a desk, play-interviewing a short plump kid. The kid is standing, bends over, and holds a LIT CIGARETTE LIGHTER next to his ass. A strained expression on his face. A second later, the lighter FLAME IGNITES, and a stream of FIRE shoots away from his buttocks. HIGH SCHOOL JUNIOR PROM. The year is 1988. Jack has a crazy NEW WAVE HAIRCUT, the sides shaved, the back long, the top spiky. His tux is powder blue. Molly has HUGE TEASED ROCKER HAIR, one long WHITE LACE GLOVE, and a dress that looks like something out of Stevie Nicks closet. He pins on a corsage. MAGGIES GRADUATION PARTY. This footage is from THREE MONTHS AGO. We see Molly toasting Maggie, champagne glass high in the air. We see Maggie and Collin kissing. We see Molly BY THE BUFFET TABLE, handing a carrot stick to a young child. And we see Jack watching Molly, a lifetime of emotion dancing in his eyes. BACK TO YOUNG Mollys backyard birthday party. Theres a huge birthday cake, candles blazing. Molly smiles at the CAMERA, then leans in and BLOWS OUT THE CANDLES. THE TV SCREEN GOES BLACK. And THE MUSIC ENDS. Int. Mollys living room - morning Randy on the couch, drinking his coffee. He ZAPS on the TV, clicks past several shows, then stops on WAKE-UP AMERICA. TIGHT ON TV SCREEN The show in progress, hosts JACK AND KATH on the couch. Jack talks directly to the studio camera: Jack Thats our show for today. Join us tomorrow for British Prime Minister Tony Blair, the comedy of Carrot Top, and the musical stylings of Megadeth. Kath See you tomorrow everyone. WIDER - and we are now ON THE WAKE-UP AMERICA SET The DIRECTOR, wearing a headset, approaches Jack and Kath. Director And... Were out. Great show everyone! Kath looks off set to LOUISE - a mousy woman - and SNAPS her fingers to get her attention. kath Louise? Louise, honey. Over here. Why do you always look lost? Never mind. Find me a Gin and Tonic. Pronto. Louise Its nine-oclock in the morning. kath What are you, my goddamn mother? Louise turns away. kath Imbecile. OFFICE CORRIDOR Jack walking down the corridor. His assistant Carly follows him, reading from a list of notes. Jack Whatcha got, Car? Carly Whoopie called. She wants you to do Hollywood Squares. The District Attorney called. They need you to sign another affidavit. And Your mother called. Her bunions are acting up again. JACK Anyone else? Carly sees his pain. CARLY She didnt call. Im sorry. Jack enters his office, closes the door behind him. Int. grocery sTORE - DAY Molly at her register, gives change to a customer. The customer thanks Molly, then exits. Mr. Stalin approaches. Mr. Stalin Did you get the new memo? I put one in your box. Molly I dont know. Which memo? He holds a up a type-written memo. MR. STALIN The new dress code memo. The one that says all name badges must be affixed to the apron string, and not directly to the uniform shirt or blouse. 0002000006120001B35360C,(points to Mollys shirt) Its clearly in the memo, and your name badge is clearly pinned to your blouse. MOLLY I guess I didnt read it yet. We get so many memos, its hard to keep track. MR. STALIN If youd check your box at the end of every shift, then there wouldnt be a problem. MOLLY Ill fix my name badge. MR. STALIN Yes you will. Mr. Stalin turns, starts to walk away. Then he stops, turns back to Molly: Mr. stalin You realize I have to document this incident. He turns and walks away, a slight wicked smile on his lips. ANGLE ON Mollys face. Shes seething, but she doesnt say anything. And then... SHE SNAPS. MOLLY (loud) Hey, Im not finished with you! We FOLLOW Mr. Stalin as he walks away from Molly, PRETENDING not to hear her. Suddenly - MOLLYS VOICE BOOMS over the store PA SYSTEM. Mollys voice Dont you walk away from me, you mean little worm! Mr. Stalin STOPS DEAD IN HIS TRACKS, turns back to Molly. MR. STALIN What the... From his POV, we see Molly now on the customer-side of the check-out counter, speaking into the bendy INTERCOM MICROPHONE, her voice BOOMING throughout the store. MOLLY Let me explain something to you. Stealing from the register is an incident. Being rude to a customer is an incident. Urinating in the salad bar is in incident. Pinning your name badge to your shirt is not an incident. Everyone in the store is now looking at Molly. She is holding a copy of the EMPLOYEE HANDBOOK, methodically ripping out pages and shredding them, and throwing the bits into the air like CONFETTI. 00020000099D0001B95F997,Molly So you can take your black socks, and your name badge, and your lousy seven-ten split and stick it where the sun dont shine. (a beat) And dont think I didnt know you were wearing my lingerie when we were dating, because I knew. Jim Stalin looks around nervously. Mr. STALIN Thats a lie. All lies. MOLLY Why else were my panties all stretched-out, reeking of Old Spice and ass? Mr. Stalin looks over to Sally. Mr. stalin Call security. Now... Molly walks right up to him. MOLLY Dont bother. I quit. She drops her apron at his feet, turns and exits. Ext. Supermarket - parking lot Molly storms out of the store, past the young African-American boy who is back selling candy bars from a cardboard carry box. Candy kid I sold about a zillion candy bars outside the movie theatre, just like you said. Molly stops, turns back to the kid. Molly How many more do you need to sell to win your trip? CANDY KID These last two boxes. By tomorrow. Molly pulls a FIST OF CASH from her pocket, extends it to the kid. MOLLY Gimme all of them. Every last one. The kids eyes LIGHT-UP. He hands her the two boxes of candy. CANDY KID Thanks! Thanks a lot! (turns, runs away yelling) Im going to Disney World! Im going to Disney World! Int. Airport ticket counter Molly jogs up to the ticket counter - carrying only the two cardboard boxes of candy - and slaps her credit card on the counter. The same TICKET AGENT as last time. Ticket agent Did you have a particular destination in mind, or should I throw darts at a map? Molly New York City. int. Airplane - DAY Molly in coach class, nervously eating one of her candy bars. She looks out the window, sees the NEW YORK SKYLINE below. Ext. new yoRK CITY street - DAY Molly climbs out of a cab, and ALMOST gets hit by a car as she crosses the street. She looks around in awe: Towering skyscrapers. The RUSH of Manhattan traffic. Horns blaring. People yelling. Chaos. IN FRONT OF THE WAKE-UP AMERICA STUDIO Molly walks past a GROUP OF WOMEN hoping to catch Jack for an autograph. She walks up to the STUDIO ENTRANCE, enters the lobby. INSIDE THE LOBBY A huge GUARD sits behind a reception desk, cameras and monitors everywhere. Guard Can I help you, miss? Molly I need to see Jack Daly. Its important. GUARD Do you have an appointment with his office? MOLLY No, but Im an old friend. Can I go up and see him? Just then, the GROUP OF WOMEN enters the lobby and approach the guard. 000200000C720001C2F6C6C,Woman #1 Were old friends of Jacks too. Woman #2 Were all old friends. Is he coming down? The guard steps from behind his desk, motions to the exit. Guard Im going to have to ask you to wait outside behind the barricade. Molly You dont understand. I really am his friend! Woman #2 Me too! Me too! Molly puts her hand on the guards arm. Alarmed, he reaches down, UNSNAPS his MACE CANNISTER Guard You touch me again, Ill mace your crazy ass. The guard escorts Molly and the group of women outside. Ext. Street corner - pay phone - day Molly feeding quarters into a pay phone. She looks at her address book, then dials a number. We hear the OPERATORS RECORDED MESSAGE: OPERATORS MESSAGE Were sorry. You have reached a number that is no longer in service. Please check your number and try again. Molly hangs up the phone, then moves to the street corner to hail a cab. Ext. Jacks posh apartment building - later Molly climbs out of a cab, approaches the building DOORMAN. Molly Hi, Im an old friend of Jack Dalys. I need to go up and see him. Doorman Name. MOLLY Jack Daly. DOORMAN Your name. MOLLY Oh. Molly Dingle. The doorman produces a clipboard, scans it with his eyes. DOORMAN Sorry, youre not on the list. MOLLY What list? DOORMAN Hes had some problems with pushy lady fans, showing up here all hours of the night. Trying to sneak in the building. So theres a list of people who are allowed to ring his apartment. And youre not on the list. MOLLY Can I leave him a note? DOORMAN Sorry, its against policy. As Molly turns away, a man who looks just like Henry Kissinger walks past her and enters the building. Int. hotel room - new york city - night Molly on the bed in her small hotel room, watching TV and talking on the phone. Shes wearing an I Love New York t-shirt because she didnt bring any other clothes. There are CANDY BAR WRAPPERS all over the bed. ON THE TV A commercial for a new SITCOM about a ROBOT WIFE, her human husband, and their ETHNICALLY DIVERSE children. WIDER - Molly on the phone. Molly (on phone) I went to his work. I went to his apartment building. All his phone numbers have been changed. Hes got more security than the Pope. (a beat) I dont know what to do. Molly aims the remote and CLICKS channels. Click. Click. And she stops on a WAKE-UP AMERICA promo for TOMORROWS SHOW, where we see HUNDREDS OF FANS - THE JACK PACK - gathered outside the studio. ON MOLLY Her eyes get wide. Molly (on phone) Maggs, I gotta go. And she hangs up the phone, eyes fixed on the TV. Ext. Wake-up america STUDIO - times square - morning Jack and Kath wearing aprons - on the KITCHEN SET - as they taste the food that the GUEST CHEF has just prepared. Jack This is outstanding. Kath Its like a little piece of Heaven in my mouth. Jack turns to the camera. JACK Lets check in with Ernie, whos outside Studio 4B in beautiful midtown Manhattan. Whats going on, Ernie? OUTSIDE THE STUDIO IN TIMES SQUARE Ernie Snopes stands in front of a metal barricade, separating him from a group of screaming fans. ERNIE SNOPES Its a gorgeous Fall morning here in Times Square, the air a crisp fifty-two degrees. 0002000006F30001CF626ED,He turns, faces the SCREAMING CROWD. ERNIE SNOPES Weve got a huge crowd today, so lets check in with the Jack Pack. Ernie approaches a FANATICAL WOMAN, holding a hand-painted Marry Me Jack sign. ERNIE SNOPES Hello there, Miss. Where are you from? Fantatic woman Im from Nome, Alaska. Hi mom!! Ernie moves down the line to a group of squealing TWELVE YEAR-OLD GIRLS. ERNIE SNOPES And where are you from, girls? Twelve year-old girl Were from Mira Mesa Junior High in San Diego, California. I wanna give a shout-out to my girls Marisa, Shanisa and Laticia. Whassuuup!! Ernie moves DOWN THE LINE, skipping past several people, until he STOPS AT MOLLY. Shes wearing A LONG TRENCH COAT. ERNIE SNOPES This young lady has been out here all morning. Whats your name, Miss? ON THE VIDEO MONITOR We see Molly talking into Ernies microphone. Molly Im Molly Dingle, from Pottersville, Pennsylvania. Cut TO: MOLLYS LIVING ROOM Randy on the couch, eating a bowl of cereal. He sees Molly on the TELEVISION, picks up the phone and DIALS Maggie. RANDY (on phone) You aint gonna believe this! Back TO: OUTSIDE THE STUDIO IN TIMES SQUARE Molly talking into Ernies microphone. MOLLY Jack, I know youre watching. I just want you to know that Im sorry, from the bottom of my heart. CUT BACK TO: INSIDE THE STUDIO Jack reading his notes, not paying attention. His assistant Carly taps him on the shoulder. Carly Jack, do you know that person? Jack looks at the VIDEO MONITOR. He sees Molly... Jack Oh my God. BACK OUTSIDE IN TIMES SQUARE Ernie listening intently. MOLLY Not long ago, you said that you loved me. I can only hope and pray - because Ive been doing a lot of praying lately - that a small part of you still does. I guess what Im trying to tell you... 00020000061C0001D64F616,Molly UNBUTTONS the TRENCHCOAT, and THROWS IT OPEN like a FLASHER. From Ernies EXPRESSION, we can tell shes NAKED underneath. MOLLY ... Is that I love you! She turns to the crowd. MOLLY And I want the whole world to know! CuT TO: INSIDE THE STUDIO Jack stands, in shock. Cut TO: INSIDE THE CONTROL ROOM The director knocks over his coffee onto the console. Director Dammit. Camera two! Go to camera two! Cut TO: MOLLYS LIVING ROOM Randy eating his cereal. He dribbles milk down his shirt. Randy Awesome! Cut TO: Maggies dorm room Maggie and Xiang Ling Chao under her quilt, eyes wide. MaggiE Oh. My. God. Back TO: OUTSIDE THE STUDIO IN TIMES SQUARE Security guards rush Molly. One guard covers her with his jacket. MOLLY I love you Jack! I love you! The guards dragging her away from the crowd. A SMALL SIDE DOOR BURSTS OPEN Jack flies out into Times Square. He sees Molly being dragged off. He hops the GUARD RAIL, and runs to her. Molly sees him, breaks free from the guard. They RUSH TO EACH OTHER and embrace. JACK Are you insane!? MOLLY Completely. Do you still love me? JACK Completely. MOLLY I love you too. They kiss. The CROWD ERUPTS IN A CHORUS OF CHEERS. And then the security guards close in. We hear Mollys voice: MOLLYs VOICE They dragged me off in handcuffs and arrested me for indecent exposure. Jack posted bail and took me home, which was actually kind of romantic. Deep down, every girl wants a guy wholl bail her out of jail. Mollys voice continues over the following SCENES AS THEY DISSOLVE IN AND OUT: 000200000A400001DC65A3A,ARTSY NEW YORK CITY NEIGHBORHOOD. Mollys truck double-parked in front of an Asian market, hazards flashing. She and Jack muscle a funky couch up the steps, past the market to a small apartment upstairs. INSIDE MOLLYS NEW APARTMENT. Molly and Jack decorating her small pad. Jacks paints with a roller, Molly unpacks a box. COLUMBIA UNIVERSITY CAMPUS. People filing out of a classroom. Mix through the crowd to MOLLY, with a back-pack slung over her shoulder. Just another college student. MollyS VOICE So I moved to New York. A little place in SoHo, above a Chinese market. (a beat) Jack wanted me to live with him, but I wanted my own place. My own everything. And for the first time maybe ever, I feel like Im actually being Molly Dingle, which is a exciting and scary, in all the best possible ways. BACK IN POTTERSVILLE. Sally on the bench in front of the store, smoking a cigarette. Shes talking to the young African-American boy, who is wearing enormous Disneyland MOUSE EARS. In a quiet room, Mr. Stalin checks himself out in a full-length mirror. Hes wearing a womans bra and panties. MOLLYS HOUSE. Randy on the porch swing, two women who look like they might be STRIPPERS sit on either side of him. Hes got a big shit-eating grin on his face. MoLLYS VOICE I hear things are pretty much the same back in Pottersville, which is comforting because some things shouldnt change at all. (a beat) Randy is taking care of the house for me. Hes got a couple of roommates and keeps-up the place pretty good. IN NEW YORK CITY. Molly and Jack at a NETWORK PARTY - the kind Jack used to hate. He and Molly smile and laugh with each other, sharing a private joke. Molly and Jack in a darkened MOVIE THEATER. The light from the screen flickers on their faces, as they eat noodles from a CHINESE TAKE-OUT CARTON. Twilight. Molly on the roof of her apartment, high above the Chinese market, sipping a glass of wine. She leans against the handrail, tranquil, staring out across the bustling city. Wisps of her hair dance in the gentle breeze, but she doesnt mind. Mollys VOICE As for me and Jack, I know well be friends forever. Theres no doubt. Will our relationship last? Who knows. But were happy today, and thats better than a kick in the head. Jack comes up behind her, slides his arms around her waist, and kisses the back of her neck. Together they soak in the magnificent view that stretches out into the horizon and beyond, with no foreseeable end in sight. FADE TO A WHITE SCREEN as simple BLACK-LETTERED CREDITS dissolve in and out. the BEGINNING 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Tj?QaN!T FFFE000000060002000177AADYFFFF000000060002000177AA0000000000510000000020001101-777C6F000480048-20C20613A-10 C264FFFF0100001000000330000000101408105AC20A038E000203C20A0000200000005000000001, 0004000000090000000201300005000000090000000201300006000000640000000210C30FFFF0C00000 10 10930FFFF0C00000 30 00070000003800000002010180205A0 101800008000001520000000240,System40,A014E440007010101040,Courier Final Draft40,4014E4070101010000900000005000000020000A00000013000000020C2640C264000B00000005000000020000C0000000A0000000101000F0000005500000000400 10 104,77A4,304, 4,4,,y4,24,00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-..'"FFFF0FFFF001280000000900000001300129000000090000000130FFFE000000060002000177AAD?6$$LMeLEMfGeneral?Courier Final Draft 0 lGeneralGeneral0 Scene Heading Scene Heading?Courier Final Draft 0 lAction Scene Heading1ActionAction?Courier Final Draft 0 lActionAction2 Character Character?Courier Final Draft 0  Dialogue Character3 Parenthetical Parenthetical?Courier Final Draft 0 Dialogue Parenthetical4 CharacterDialogue?Courier Final Draft 0 ActionDialogue5 Parenthetical Transition?Courier Final Draft 0  Scene Heading Transition6 CharacterShot?Courier Final Draft 0 lAction Scene Heading7 Character GENERAL SCENE HEADING ACTION CHARACTER PARENTHETICALDIALOGUE TRANSITION SHOTsTCHNAirline steward BoyfriendBrutish football guy Brutish GUYbrutish senior guy Candy kid Carly Chamber maid CleoCo-hostCollin Crazed woman CrowdCustomerDirectorDoormanEmployee ernie snopesEzekielFantatic woman GuardHostessHusbandIntercom voice Jack Janey Kath Kevin Kid Kumarleonard Blitzwig LoganLouiseMaggie ManMarried friend Molly MollyS VOICE Movie star Mr. Peterson Mr. Stalin Mrs. Connover News anchor Office girl Old womanOPERATORS GREETINGOPERATORS MESSAGEPerson PrincipalPrincipal Teitelbaum PublicistRANBDY Randy Robot wife Rowdy senior SallySecurity guard Stan Student #1 Student #2 STUDENT #3 TeenaGE MOLLY Ticket agent TrishTwelve year-old girl VoiceWacky neighborWaiterWaitress Weather man WomanWoman #1Woman #2 Woman in line Young girl Young jack Young molly Teenage JACKasTCE (V.O.) (O.S.) (O.C.) (CONT'D) (SUBTITLE) (off camera) (CONTD)(VO)sTTR CUT TO: FADE IN: FADE OUT. FADE TO: DISSOLVE TO: BACK TO: MATCH CUT TO: JUMP CUT TO:FADE TO BLACK.flash back TO: Cut back to:FaDE to white.FaDE to A white screen.As we FADE TO BLACK,osTSI INTEXTI/E. MOLLYS Maggies OUTISDE INSIDE checkoutu AIRPORTAIRPORT TERMINALAPARTMENT BUILDINGBAR BEDROOM CEMETARYCHEESEY THEME RESTAURANT COFFEE SHOPCOLLEGE CAMPUSCOLUMBUS TV STATIONCONSTRUCTION SITE DIVE BARDO YOU HAVE ANY WEED?DOWNTOWN POTTERSVILLEELEMENTARY SCHOOLFOOD BARN SUPERMARKET FREEWAY GARAGE GROCERY STORE HIGH SCHOOL"HIGH SCHOOL - GRADUATION STAGEHIGH SCHOOL CAMPUSHIGH SCHOOL FOOTBALL FIELD HOSPITAL HOTEL HOTEL HALLWAYHOTEL HALLWAYINT. HOTEL HOTEL ROOM HOUSEHOUSE - FRONT PORCHICE CREAM FOUNTAINJACK & SLATERS APARTMENTJACK AND MOLLY HANGING OUT JACK AND MOLLY HANGING OUT 2 JACK AND MOLLY HANGING OUT 3*&JACK GOES TO MOLLY, PROFESSES HIS LOVEJACK TELLS TRISH TO LEAVEJACKS APARTMENTJACKS APARTMENT BUILDINGJACKS BEDROOMJACKS HOTEL ROOM JACKS HOUSE&"JACKS OLD HOUSE ACROSS THE STREETJEAN NATE AND FANNYPACKS KEVINS CAR KITCHEN LIQUOR STORE LUGGAGE STOREMAGGIES BEDROOM#MAGGIES HIGH SCHOOL GRADUATIONMINI GOLF COURSEMOLLY AND FRIENDMOLLY AND JACK HOOK-UP2.MOLLY SEES THE TABLOID PHOTO OF JACK AND TRISHMOLLYS APARTMENT MOLLYS HOUSEMOLLYS LIVING ROOM NETWORK PARTYNETWORK STUDIO BUILDING NEW YORK CITY OHIO STATE UNIVERSITY CAMPUS PARKING LOT PARTYPRINCIPALS OFFICE RESTAURANT ROBOT ASSASSIROBOT ASSASSIN SIDEWALK STREET SUPERMARKET%!SUPERMARKET - EMPLOYEE BREAK ROOMSUPERMARKET - PARKING LOT TAXICABTELEVISION STUDIO TOWN CAR TV STATION TV STUDIOWAKE-UP AMERICA STUDIO WATERFRONTWHAT HAPPENED?taxicab - new yoRK CITY"Jacks posh apartment building)%Wake-up america STUDIO - times square LIVING ROOM dorm roomTHE STUDIO IN TIMES SQUARETHE CONTROL ROOMcolumbia university campusa different supermarket)%a different supermarket - pARKING LOT"Mollys house - graduation dayGazebo - town center truckAirport ticket counterAmish country - farmhouse Mollys truck StorefrontPutt-putt mini golf course Street cornerMollys HOUSE - drivewaymollys bedroomWilliam taft high schoolResidential neighborhood Rural highway$ MOLLYS HOUSE - graduation partyTrendy nightclub movie theatermollys old porchtrendy club - Network partyNew yoRK CITY restaurantmollys kitchenStreet corner - pay phone!rURAL HIGHWAY - Amish country#trendy New yoRK CITY restaurantHigh school audio/video lab Jacks hotel/mollys bedroomline$sTSTDAY NIGHT AFTERNOON MORNING EVENING LATER MOMENTS LATER CONTINUOUS THE NEXT DAY new york city jacks speech parking lot the kitchengraduation stage next morningthe next morning check in desk boarding area CURBSIDE parking lot  rural highwayGRADUATION DAY network party pottersvillelater that nightmCRO9INTINT. Scene Heading01119EXTEXT. Scene Heading01128I/EI/E Scene Heading0113@DAY - DAY Scene HeadingAction0114DNIGHT - NIGHT Scene HeadingAction0115HSUNRISE - SUNRISE Scene HeadingAction0116DMAGIC - MAGIC Scene HeadingAction0117GCONT continuing ParentheticalDialogue0118JINTER interrupting ParentheticalDialogue0119$0110GCUTTOCUT TO: Transition Scene Heading1111EFADEINFADE IN:Action Scene Heading1112KFADEOUT FADE OUT. Transition Scene Heading1113IFADETOFADE TO: Transition Scene Heading1114MDISSLV DISSOLVE TO: Transition Scene Heading1115IBACKTOBACK TO: Transition Scene Heading1116PMATCHCUT MATCH CUT TO: Transition Scene Heading1117NJUMPCUT JUMP CUT TO: Transition Scene Heading1118BFBLACKFADE TO BLACK. Transition1119$1110 FFFF000000060002000177AA00000000004F0000000020001101-7F7C6F000480048-20F0-10 F264FFFF010200001000000340000000103408105AF20A20388000203F20A0000200000007000000003,[].00040000000C00000003023530005000000090000000201500006000000EE0000000430C30FFFF0C00000 10 10930FFFF0C00000 20 10C201020040FFFF0C00000 10404AC50121D98E4010930FFFF0C00000 10438B900 00070000003800000002010180205A0 101800008000001520000000240,System40,A014E440007010101040,Courier Final Draft40,4014E4070101010000900000005000000020000A00000013000000020F2640F264000B00000005000000020000C0000000A0000000101000F0000005500000000400 10 104,04,14,04,C004,14,438B4,00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-..'"FFFF0FFFF0012800000009000000015001290000000900000001500014000000AC000000001D98E45C1AE204211D98E802C,E,42,>Page #!j?Q!FFFE000000060002000177AADSFFFF000000060002000177AA00000000004B0000000020001101-7F7C6F000480048-20C0-10 C264FFFF0100001000000330000000101408105AC20A038E000203C20A0000200000005000000001, 0004000000090000000201300005000000090000000201300006000000640000000210C30FFFF0C00000 10 10930FFFF0C00000 30 00070000003800000002010180205A0 101800008000001520000000240,System40,A014E440007010101040,Courier Final Draft40,4014E4070101010000900000005000000020000A00000013000000020C2640C264000B00000005000000020000C0000000A0000000101000F0000005500000000400 10 104,04, 4,x|4,4,4,4,00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-..'"FFFF0FFFF001280000000900000001300129000000090000000130FFFE000000060002000177AAD$rVIS+First Revision*,Second Revision*+Third Revision*,Fourth Revision*. v W\#)- 2 5 9 > BjFuKOSW\a%dhlModrv(z_ 9!"#$,%&'()W*+,-.U/J01M2s3(4 5^678#9:;_<=>?N@A BCD ErG"NH%I*hJ/K3L7M;N>OC#PGQMRRSVTZU_6VdWhZXkYo9Zt[xt\|=]^F_6`abTcdefghij7klćmnop;qYrst%sNTE! Important!# Information?" Suggestion*?Courier Final Draft (MORE)(cont'd) (CONTINUED) CONTINUED:aCTR =Man 1(`Q|g({DEST=Man 2(`]DV?Woman 1(pQ|g({DEST ?Woman 2(ԑPO|u`L=Boy 1(`Q|g({DEST=Boy 2(ԑPO|u`>Girl 1(pQ|g({DEST>Girl 2(ԑPO|u`R?Old Man(`]DVA Old Woman(pQ|g({DESTeE9 CHARACTERDIALOGUEk1Arial bW?Courier Final Draft 6 Cast List.  - z1 6/83/83/83/84/87/84/84/83/86/82/83/82/82/82/83/83/82/83/81 4/82/81/82 1/83 6/82/82 3/81 1/83/81 2/84/86/87/81/86/87/85/81 1/84/81/81 1/821 6/81 5/83 4/81 3/81/83/86/81 4/81 7/87/825/811 2/82/81 2/81 7/83 2/82 6/85 6/81 3/81 1/86/81 4/82/83 1/811 1/87/86/815/86/81 2/81 3/81/81/81/82/82 1/87 3/81 3/813/84/83/82/82 6/81 4/82/81/81/82/81/81/81/86/82/81/81/82/81/83/81/81/81/87/81 3/82 2/85/82/81/81 2/83/87/86/81 3/82/81/81/82 2/8PAGEy233344556677777888910101012161619202021222323232425262727272830323437393939404143444647484950515356596466676869697273747576777878808181818181849192939494959598999999100100100100100102102102102102102103103103103104105107108108108110110111112113114115115LFFFF000000060002000177AA0000000000630000000020001101-7F7C6F000480048-25F2B52007F-107F0064E82B526CFFFF0104000010000003D000000010A5408105F502B52248C038E0002A9502B5FF00002000000AA00000000A5, Being Molly Dingle by Rodger Cambria 5450 California St. #5 San Francisco, CA 94118 310-869-9546 rodgercambria@hotmail.com0004000000170000000501D2F4211A710005000000130000000401C2431A700006000001050000000510C30FFFF0C00000 10 10930FFFF0C00000 2C0 10B40FFFF01000000 90-1010930FFFF0C00000 20-1010E50FFFF01400000 10 00070000005400000003010180480 2018010480 101800008000001520000000240,System40,A014E440007010101040,Courier Final Draft40,4014E4070101010000900000005000000020000A0000001900000002E832626CE832626C000B00000005000000020000C00000013000000014921F5401000F000000590000000050E010 104,77A4,4,77A4,4,um4,[z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ystem40,A014E440007010101040,Courier Final Draft40,4014E4070101010000900000005000000020000A00000013000000020F2640F264000B00000005000000020000C0000000A0000000101000F0000005500000000400 10 104,77A4,4,t4,014,F204,~4,:00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-..'"FFFF0FFFF0012800000009000000015001290000000900000001500014000000AC000000001D99985C1AE204211D999C02C,E,42,>Page #1\!j?Q1\!FFFE000000060002000177AADSFFFF000000060002000177AA00000000004B0000000020001101-7F7C6F000480048-20C0-10 C264FFFF0100001000000330000000101408105AC20A038E000203C20A0000200000005000000001, 0004000000090000000201300005000000090000000201300006000000640000000210C30FFFF0C00000 10 10930FFFF0C00000 30 00070000003800000002010180205A0 101800008000001520000000240,System40,A014E440007010101040,Courier Final Draft40,4014E4070101010000900000005000000020000A00000013000000020C2640C264000B00000005000000020000C0000000A0000000101000F0000005500000000400 10 104,77A4,~4,04,14,04,04,100130000007E00000000DA91F8CE1C1D1E1F7F1B044,-..'"FFFF0FFFF001280000000900000001300129000000090000000130FFFE000000060002000177AADQ6$$4